The
local music scene of Staten Island has a never ending flow of sound
coming from its home shores. While there is a rather large collection of
Hardcore bands saturating the isle there is at least one band that
alters the formula and throws a melodic-indie twist on their own version
of it. The band Wester has gone through more than one name change but
every member has stayed within the band, all since their start in a much
larger band, Super Happy Fun Band (now defunct). Band-mates Steven
Bacas, Christopher Peters, Michael Scionti, and Jason Roschbach wanted
more out of their music and came together to form the group Story, which
stuck to more traditional Hardcore music. After some time playing as Story the band changed their name to Sink
You Fool, a shout out to a favorite movie of the artists (points to
anyone who knows which film). Under this alias they wrote, composed, and
covered a broad variation of Ska music, but late in 2010 the bands
direction changed yet again and they became what we know now as Wester.
The band has stuck to it’s Melodic Hardcore mix to produce two EP’s; the first called, Freight in Limbo, released in 2011, and the second, Flux,
coming out late 2012. Steve, the bands lead guitarist, described both
EP’s as music driven by “relatable sadness.” Lead singer Jason compares
some of his lyrics to the feeling of heartbreak, something he and many
of us know all too well. Unable to comment on the EP was the bands
drummer, Chris, and bass player, Mike. Though both were unable to attend
the interview, Steve and Jason spoke on behalf of the absent members.
Wester compares themselves to bands like Brand New and Lifetime and hopes that with the release of Flux,
playing shows through out the year, and accumulating fan support they
can get signed onto a record label, which is most bands dream.
Steve
had made it clear throughout the interview that he did not want to see
this group “die out,” as he has seen of some of his past musical
endeavors. The four piece wishes to tour within the coming months but
said that nothing is currently planned. When asked why there were no
definitive tour dates Wester explained that with all the band mates
either attending college or working full time that it was becoming
difficult to work around all their schedules. They did promise, however,
that it would not affect their future in music and pledged to keep
working with what they are given.
If you’re interested in Wester check out their music at www.reverbnation.com/WesterNY (which has their first EP available for your
listening pleasure) and look for updates on their facebook page at www.facebook.com/WesterNY. Be on the look out for Wester as their album
release gets closer and their vision of making it big moves forward.
Still Not Heartless is the first mixtape released by Staten Island artist/Youtube personality, Eric D'Alessandro.
For those subscribed to Eric's Youtube channel, ERIX FLIX, you have seen him make the slow evolution from funny shorts and skits, to hysterical hip-hop parodies, and now serious rap songs infused with pop hooks reminiscent of Drake or a Timberlake/T.I. mash-up.
With that being said, Still Not Heartlesscaptures everything a first release should while avoiding the, "This is definitely his first album" kind of feel.
The mixtape is solid and has a raw feel almost like listening to a garageband's first recordings, and yet still shining through the fuzz.
The verses are clever, witty, and certainly meaningful while the choruses are catchy and sometimes filled with emotion and inspiring.
Topics range from past girlfriends, having fun in the club, to braggadocio laden proclamations every rapper needs, and reflections of finding a place and calling in the world.
The first track, "Closure," is an excellent lead off song and without a doubt the album's single. it features a big pop chorus over what is definitely the best beat on the album. This is the J.T. style song mentioned previously that will have the lyrics, "Baby Baby you can never hate me..." stuck in your head for a few days.
"New Hate" is a song that brings the listener to Eric's level as he confidently uses some clever writing to dismiss haters which he sings about over the chorus.
This next song goes hard so the title of "Go" was rather appropriate. Eric lets it loose this song and goes all out and comes real and raw over another great beat as he hits harder here than the rest of the album.
If Eric was recording this next song, "Everything I Need," in a full studio for an album, he would have another hit much in the same vein as "Closure." But what this song is missing in production certainly does not effect the quality of this R&B inspired tune.
(This video is the funny version he made featuring Drake. For the real version, click here)
Yet again the song features a good chorus over a solid beat. The real highlight of the track comes at the end with the overlapping vocals and harmonies with his pleas of, "I want you so bad" over and over until the finish.
In true YMCMB style, Eric takes this Weezy banger and puts his own twist on it. "Megaman Freestyle" sees him forgo some story telling and just lets him flex his lyrical muscle.
Over Wayne's playful laughs in the background Eric unleashes his punch line game with swag as he references pop culture and "flosses" on the track.
"Faded" transitions Eric into the confident and slightly cocky 21 year-old that inhabits all of us. The song broaches the adventures of being young and having a good time at the club while drinking too much and trying to pick up girls. If the song does happen to reach a DJ, the pairing would be perfect.
"This Isn't Me" slows the pace of the album and helps fit it into the next batch of songs.
The song looks back at past relationships and has Eric asking, "Why?" at times as he regrets some decisions and tries to move forward. The track shows him vulnerable for the first time and continues that lingering feeling over the almost reggae but still R&B chorus.
The next track takes the popular, "She Will," collaboration of Drake and Lil Wayne and watches Eric put his own twist on it. Every mixtape has at least one remix for the happening track of the moment and here's his.
Calling it, "New York Girls," Eric delivers with a rant that describes what is wrong with a lot of girls in this city (not all girls). Speaking from experience he describes certain instances in life as he has dealt with these "bad girls."
"It'll Be Alright" is another slow heartfelt song where he takes a reflective look into his own life and contemplates the meaning of it all. Eric talks about the importance of having a purpose and sings about persevering, "It's worth the fight..."
The instrumental is a soft piano ballad that is perfect for conveying the message of the song as he sees people around him succumb to drugs and other failures. For the second verse he brings out the sing-songy flow and talks about Jesus bringing him to Earth to fight back.
The final track, "Outro," is just that. It provides a little bit of contrast in closing by being just piano and vocals. Eric shows off a bit of his singing range here and hits a number of good harmonies in this passion filled ending.
Overall Still Not Heartless is a great introduction and first effort to Eric's growing online audience. There is a mix of everything on this mixtape and he is just getting started in his musical path.
Expect a lot of great things from Eric for the remainder of the year as he just teamed up with the Broken Records Collective, and be sure to come see him along with Process of Fusion, Freestyle Fam, Vinny Jett, and CiG on March 10th at the Lizard Lounge in Staten Island.
Listen to and download the whole album for free at bandcamp!
Local Staten Island band Four Nights Gone recently released their first EP, The Crash and Burn EP, and to no-one's surprise, they delivered just like they always do.
The band's signature sound is a combination of 2000s nu metal with hints of grunge and alternative throughout, sort of a mix between Three Days Grace and Papa Roach.
The first track, "Scared to Breath," opens the EP up strong. The changes in flow between the music and vocals, plus the mid-tempo speed give the song a "big" sound.
The title song, "Crash and Burn," is very suiting of the ep. It has a solid and catchy chorus and the mix of the gritty guitar matching the droning hook of, "I can't fake this, I won't crash and burn," which especially stands out at the end with the background screaming.
Next on the CD is, "The Message." This track has a heavy flow with dynamic instrumentation throughout. Again, the song has a strong hook and the verses prove to be very good to sing-along to as well.
"Despair," musically has a big sound with a powerful chorus. There is also a great guitar solo over the bridge. The song is the most rough around the edges, but at the same time keeps up the consistency of the rest of the ep.
Continuing the theme of great choruses, and perhaps fittingly enough, "My Last Call," closes out the album in a perfect way. This song is musically the best on the album and very reminiscent of Breaking Benjamin.
It has and up and down feel to it, and is definitely a single anywhere. The chants before the build a musical bridge are enjoyable and so is the layering of the double vocals at the end.
Overall The Crash and Burn EP, is a fantastic first effort for this band. They did an awesome job of crafting songs that were both easy to and fun to sing along to, and yet conveyed some meaning throughout the writing.
Four Nights Gone has a mainstream sound and is knocking on the doors of Breaking Benjamin and Three Days Grace as they try to prove they are the new guys in town.
CIG
CiG's first music video. "I Want to Go Back" off of Back Against the Wall. Filmed and directed by Jen Santori.
Music Video : CIG I Wanna Go Back from Jennifer Santori on Vimeo.
Download the track for free as well!
Broken Records Collective Rappers
Check out Freestyle Fam, CiG, Eric D'Alessandro, Vinny Jett, and Justin from POF's remix of "Stay Schemin."
Download it for free here
FigureHead
Listen to and download a new track by FigureHead called "Accept the Change."
Sometimes
it takes a little persistence to get what you want. After running
through a few changes as a band, Four Nights Gone, the hard
rock/alternative metal players from Staten Island, New York have secured
their niche in sound and are looking to run full steam ahead with their
music blasting.
The
foundation for the group started with band mates Damian LaRocco and
Steven “Lobes” Romano playing under other band titles with a different
guitarist and bassist. This singer/drummer combo felt as if their future
in the industry was going nowhere until finding Imran Xhelili in
September of 2010 for guitar, and Alex Basovskiy the following year,
also in September, for bass. Almost directly after their replacement in
the strings department the newly formed Four Nights Gone recorded two
singles, “Crash and Burn” and “My Last Call” in studio. The success of
these songs was immediate and their new EP containing both tracks has
given the band a lot of forward momentum on the music scene.
While on my way to interview the band I listened to the aforementioned EP, titled Crash and Burn, released January 20th,
2012, and noticed similarities in play style with rock groups like
Breaking Benjamin and Three Days Grace. This did not come as a surprise
to me given that much of the band draws their inspiration from them as
well as other artists that you would commonly associate with the genre
of hard rock such as Chevelle, Staind, and Thrice. The instruments of
the EP have a heavy edge surrounding them that coincide with the lyrics
proclaiming uncertainty and loss throughout life. When asked about the
recurring themes in the songs, singer Damian said that he vents about
his own life and the stresses of it through the music. He and Steve also
explained that the EP embodies the strength to “overcome hardships” and
“become a better person.”
Moving away from the EP, I asked FNG what their plans were for the
future and without hesitation they responded with talks of tour planning
and dreams of turning music into a career. The plan going forth is to
tour this upcoming summer on a grand road trip that starts in New York,
runs all the way down to Florida, and then continues with more shows on
the way back home. Unsigned, the band is hoping to open at multiple
different venues along the way and get noticed. Every member of Four
Nights Gone says that they want to get bigger and get signed; the
dedication to their music is unwavering.
After meeting with the members of Four Nights Gone I can once again say
that it is a relief to watch talent rise above the sea of mediocrity.
With the band playing their first show together at Dock Street’s The
Battle of The Bands and making it to play at the well-known Starland
Ballroom, the talent I speak of is pretty obvious.
Why stick with your name as a producer name and not come up with something different? The
Reason I stuck it out with my real name is because when I’m older I
wouldn’t want to be know by some obnoxious nickname that'll be with me
to the grave, also it’s more professional.
What inspired you to make beats, and is there a moment in your life when you said, "I must do this?" I’ve
always had a real love for music, it’s the basis to everyday life.
Most people start the day with a song that puts them in a certain mood,
and for me I grew up listening to a lot of reggae music so my mood was
always relaxed. When I moved to America and got introduced to Hip-Hop
music at age seven and was blown away by the contentious style of the
artist that were out and it’s similarity to reggae music, I was
instantly hooked.
Who are some producers you that influence you and if you could aspire to be like one who would it be?A
lot of music producers inspire me, but one of my most influential
musicians would have to be Swizz Beatz. Through his years within the
music industry, he’s always been behind the scenes making hits and
establishing power in the entertainment industry. Later on within my
career I would love to be in the same sentence as the musical milestone
Quincy Jones, I’ve got a long way to go.
Where do you draw your unique sounds and music from? I draw my sound from the Native American people, the chants, the instruments and belief system that they bring their culture.
If you could make beats for one artist today who could really go well with your beats, who would it be? The
one artist I think would be perfect for my sound would have to be
Drake, because his music symbolizes spirituality and with my rugged
creative abilities mixed with his musical strengths we’ll make
greatness.
What is some of the gear you use, and how long has it taken to you to get to this point now? I’ve
been making music since I was fourteen and I started with a program
called Fruity Loops and then later on I was introduced to Ableton Live,
it’s one the easiest programs to make music.
What do you plan to do with your music and where do you see yourself in five years? In
five years I aspire to evolve the hip-hop culture, and take my music
global to inspire generations to be whoever and whatever they want to be
in life.
You are also, model. Tell us a little about that. Music
and fashion has always been in the same realm when culture and art come
into play, and modeling is a way that fans can interact with me on a
artistic level.
Pros
and cons of both, and how can they work hand in hand? It's More exposure when you have a certain presence in the
music and fashion industry, but when it comes down to business its
always stressful when your in high demand.
Process of Fusion – Connections EP Review Written by Paul Marino
Progressive
rock/rap group Process of Fusion is not afraid to experiment. With
vocals comparable to Coheed & Cambria’s Claudio Sanchez along with
rap that will remind the listener of Pre-Meteora Linkin Park, Process of
Fusion boldly and successfully mixes two different and distinct
singer’s voices into all their tracks. This melding of vocal styles,
along with edgy and energized drums, bass, guitar and keys, is what sets
Process of Fusion apart from many other bands on the market. Following
the success of their first EP State of Mind, Process of Fusion has unleashed another EP into the music world titled Connections.
Connections is a five song album featuring empowering lyrics about
finding a place to belong, guitar riffs that flow with the mood, and
even melodies not unlike that of the group God is an Astronaut.
The
first song on the EP, “Moment of Clarity,” combines both vocals and rap
with fast-paced drums and strings in a song that encourages making the
most of life and living in the moment. Next up is “Aspire, Inspire,
Expire,” which again perfectly has Singers Patrick Wakie and Justin Sarachik’s
voices reflect each other. AIE picks up quickly and then slows itself
down all the while talking about the paths of life and the challenges
faced when travelling down them. “What Brought Us Here” scales down on
the energy of the first two tracks, but keeps along with the messages of
looking within yourself and finding where you belong. It is also worth
noting that this song has a very strong, very powerful, guitar solo that
stands up with any modern era rock ballad.
Fourth
on the set list is the song “Connections,” which throws the listener
back into the fast paced, stylized and intense sound of POF without
feeling disconnected from the song prior. Again, the message of
self-realization is apparent throughout. The final song on the EP,
“Lights In The Sky,” continues the bands perfect blend of rap and rock
with a hint of instrumentals similar to the previously mentioned God is
An Astronaut. This song features the sound the listener is by now
accustomed to and even throws in some group vocals at its close.
The
album ends leaving listeners with the feeling of hope for your future.
This album is recommended for anyone looking for a pick me up, someone
looking for musical motivation, or anybody who is looking for more than
what the media defines as rock nowadays. For more on Process of Fusion’s
unique sound check out their Facebook and Twitter pages and be sure to
wish them luck in their battle to get on the Bamboozle band roster.
Voting for them probably wouldn’t hurt either.
In a time that can arguably be called the Electronic Age of Music it is refreshing to see a group of young musicians leave the monotony of the mainstream and turn to rock as their major influence. Strange Brew is the self proclaimed “Funky Hard Rock” five-piece hailing from Staten Island, New York, with the stage presence and attitude to bring along a loyal fan base wherever they jam. With few “Brewpies” missing any performances and with packed out venues every show, it is hard to argue Strange Brew’s success. Between writing original lyrics and playing covers from the likes of Billy Joel, Avenged Sevenfold, and The Jimi Hendrix Experience, with an album release in the summer of 2012, it is amazing how much the band has accomplished in the short time they have been together. Since their start in the summer of ’09, Strange Brew is an ever-evolving musical tour de’ force composed of Armand Lane as Lead Vocalist and Keys Player, Johnny Baldofsky and Mike D’Ambrosi each playing Guitar, Matt D’Ambrosi slapping the bass, and Justin Salud rounding out the band with his Drums.
I recently got to sit down with Strange Brew and talk to them about where they see their band going and what definitive plans they have for the future; I also got an inside look at how the band manages stage performances, practices, and produces their distinctive funking sound.
Prior to the interview Strange Brew was unsigned, working on their own dime and playing shows when they could, but as of January 18 they have been signed onto the Broken Records Collective music label. Armand Lane says, on behalf of the band, that “We’re incredibly excited to be part of this collaboration. We feel that it is a huge opportunity to be a part of something bigger than us…We can’t wait to start playing some shows with all the talent involved.” On top of this great news for the band, fans have gotten some exciting news about the aforementioned album release this summer. The band promised a full length 10 song album of original music and lyrics. The whole album is being recorded, mixed, and produced by Strange Brew but has yet to be titled.
I started the interview by asking how the band practiced on their down time and how they went about writing their original songs. Strange Brew began by saying that “what starts as a practice will turn into a 2-3 hour jam session.” For their original song and lyric writing the band says that usually a member will approach the band with a sample of music (what guitarists Mike and Johnny did with what eventually became Strange Brew’s new single “Born To Please”), then work around the sound and churn out the bands next hit.
Speaking of their new single, “Born to Please” was first showcased during the Friday the 13th show at the Bitter End in Manhattan, New York. This show has been Strange Brew’s most successful to date with the band bringing in just under a hundred people for their set. Lyrically the song is suggestive and flaunts it throughout; it was the perfect way to rally the crowd and get them pumped up for the next hour of Brewery. Strange Brew played flawlessly the whole show and got through every song on their set list, even after a broken kick pedal incident in which Justin kicked the bass drum for a full song before another band graciously let them use theirs. Justin said, in regards to their music and how they perform live, that “Sixty percent is focused towards music. The rest is recovery,” a good analogy for their most recent show.
Strange Brew has natural talent with an ability to please and there is no sign of a slowdown; they have active accounts on Facebook, YouTube, and Twitter that receive constant updates. For more information on the band and to try out their funky spin on hard rock go to each website’s respective page and end it with a /StrangeBrewNY (ex. Youtube.com/StrangeBrewNY).
You can also email the band at StrangeBrewRocks@ymail.com. At the close of the interview the band wanted to give a shout out to Airistotle, The Brew Crew, The Brewpies, and all the other friends and family that have supported them through their career in music. They would also like to thank The Bitter End for inviting them to their stage and allowing them more than a full hour of play time. Be ready for a potential summer tour with their new label-mates, prepare for the full album release, and brush up on your Brew by visiting their web pages. The last thing Armand Lane had to say before the end of the interview was “Expect us.” Don’t worry Armand, we will not forget.
VERBATIM Check them out on Facebook and listen to their first recorded song, "Desire & I."
FOUR NIGHTS GONE Come to their album release show, more info here!
MUSIC AGAINST BULLYING This show is very important! It is in memory of recent suicide victim Amanda Cummings. Please come out and support her friends and family.
