Showing posts with label local. Show all posts
Showing posts with label local. Show all posts

Thursday, November 21, 2013

A Vegas Marriage Self-Titled EP Review

A Vegas Marriage is a three band from Staten Island consisting of Matthew Pelli on vocals/bass, Justin Imperatrice on guitar, and Vincent Rizzo on drums. They recently released their self-titled EP on September 20.



A Vegas Marriage kicks open their EP with the pounding sounds of "Don't You Ever." I couldn't think of a more perfect way to start the album. The driving guitars, steady pulse, and the accompanying drum beat light a fire in the listener. The vocal performance of this track is reminiscent to Dave Grohl as far as style, and the way it is sung, more so at the end.

"The Outside," is more melodic all around. It is a good change of pace from the first track, but still has the same feel and root as the previous. Call me crazy, but there is something about this song that makes me think of a Western themed music video with saloons and everything. Maybe keep that in mind guys…

"Breakthrough" is the slow ballad of the EP. It has a very 90s STP, Pearl Jam type feel, especially vocally. The vocalist has a great voice, and this is a track that really helps him showcase it. The harmonies add superb layers, and the guitar solo over the bridge fits so well.Towards the end of the track the song picks up and the vocals get belted out; nice touch.

The next track, "Something to See," dives right back into the heavier rock elements of AVM. This is probably the most rocking song on the album, as the vocals are stretched and the guitars are crunchier. I enjoyed a lot of the background vocals in this song, "ah-ahs" were a good touch behind the singing.

"Freight Train" again brings out some of the twang from "The Outside," and feels like some sort of epic train chase, hence the name. It is hard not to imagine the scene of events playing out in your head as this song plays through. Again, just another solid song, with a little more classic rock sensibilities than the others.

To close off the EP is, "Presence." The song opens up with strummed acoustic guitar work with light airy vocals. The chanted background vocals work well for this song and add more depth and dynamic to the song. Mid way through the song, and out bursts the electric guitar over the acoustic. It is a perfect spot and well executed until the end.

I agree with the acoustic jam closing out the album because it stands out from the rest of the tracks. A lot of bands choose to go with the power and energy to close out an album, but "Presence" does exactly what it is called, creates a presence to send AVM out.

All in all this EP is great! I have not seen A Vegas Marriage in a few years, and this EP shows me exactly what I've been missing as well as how much they have grown. The band takes an already well established sound and manages to put their own twist to it.  One moment they sound like Jet, at other times they are as aggressive as the Foo Fighters, and the next minute they rock out like Queens of the Stone Age. 

The band's next two shows are at the Cup on December 6th, and the 21st at Scout Hall.

Monday, November 11, 2013

Local Update - Backslashes and Bad Ideas and Antonio Yhap


Staten Island locals, Backslashes & Bad Ideas recently made their second appearance Absolutepunk.net. The popular punk site posted their new EP, There's No Place Like Home.

See the posting – http://absolutepunk.net/showthread.php?t=3525351


Check out local S.I. rapper, Antonio Yhap. He recently released a mixtape called, Maturation. Listen below.

Sunday, November 3, 2013

The Atlicic EP Review for 'Over the Atlantic'


The Atlicic are a local Staten Island indie/alternative band comprised of three guys and a girl. Indie/alternative is being modest as the band rocks through a number of well played genres throughout this six song EP, Over the Atlantic.

Ricky Boyance - Lead Guitar
Emilee Barrett - Rhythm Guitar/Vocals
Jason Seelal - Bass/Lead Vocals
Justin Caputo - Drums

Leading off the EP, "Intro" has an ominous feel and a great build up that seems to be coming to a head as it flows right into the next track.

"Can't Breathe," picks up right where the intro left off and hits the listener with a steady pulse of bass, tom hits, and intricate guitar work. It is a bit mellow but has a Incubus like feel to it both musically and vocally. From the jump, listening to this song prepares the listener for what is sure to be a short punch in the face of music.

"Let Me Go" rips right in with a super fast paced metal-esque riff, before settling into a more progressive/post hardcore part. The chorus then comes in suddenly, and its really punky. I am honestly having a hard time deciding what this song is as far as genre, because "really dope" does not cover it. This song does a great job at mixing up multiple influences.

Whatever Makes You Smile" brings the band back to halt, and layers on an Incubus Light Grenades style of music. The nice "Woo's" add a nice layer over the already great chorus. This song takes elements of every song on the EP and kind of jumbles them together into a solid mixture of what the band is. 

Next up is  "So Long" has a calming almost pop like beginning unto it transforms into a full out pop-punk fest off open high hats and fast riffs. This song would fit nicely on one of Yellowcard's albums post Ocean Avenue. "So Long" would make for a great radio single, and I could definitely see it as a sort of summer jam anthem.

Closing out the EP is "Running On Batteries." I love this song! The guitars and tone are excellent. The bass and drums really drive the song along, and the vocals are just so catchy. The chorus is fantastic, and honestly, I want to keep playing this track over and over. What an excellent way to close out the EP.

Over the Atlantic is very very impressive. It seems every album I review this year becomes my new favorite, but this one has a different feel to it. It has lasting power, and I can't wait to see what else these guys and gal come up with. 


Check them out on November 9th as they release their EP along with Backslashes and Bad Ideas. 

Follow them on Twitter and Facebook.

Friday, September 27, 2013

Hello, Seattle Album Review for 'Improper Greeting'


Hailing from Long Island and Oneonta, NY, Hello, Seattle just released their debut album, Improper Greeting. 

This female fronted group consisting of: Kimberly Berg (singer), Amy Maxwell (guitar), Frank Cicciarello (bass), Andrew Platt (drummer), and Jason Psanis (pianist), blew me away with some great alternative/awesomeness music.

The opening track, "Let Go," is a brief intro into the musical stylings of Hello, Seattle. The singer comes in about midway through and sings the name of the track over and over – powerful start.

"Camouflage" has a very familiar tone to it. I think the chords sound a bit like Cute Without the E by Taking Back Sunday, except this track adds piano and gives the song more of upbeat dance like feel to it before slowing down and changing tone. Berg's vocals are great on this.

"Broken Glass" is a bit heavier than the previous track and the singer is more aggressive to match. The song features killer piano that drives the song.

The next track, "The Divide" is an acoustic ballad. Her voice takes a lovely folky catchy tone to it. I love the harmonies and the airiness to the vocals. The subtle keys that come are wonderful, and then quickly followed with the rest of the band coming in. Almost as subtle as the piano is some really good bass work.

"Fire Eyes" prepares the listener for a quick tempo fun song right from the chattering hi-hats in the beginning of the track. The chorus is especially strong, and at times she sounds like a more indie rock version of Hayley Williams. The music over the bridge is great, the whole band comes together so well.

"Peter Pan" is another acoustic track featuring piano. I really dig the vocals and words in this song. It's a good concept, and simply puts the feelings of many people into something that is easy and relatable. 

A slick bass line and an even better drum beat open this song. "Ghost In a Common Place," instrumentally, is my favorite track. You really hear their talent on this track. The song features a much different bridge then the others. I really feel the creativity is at a max here. The layering of the vocals with the effects, the drop out, and then guitar solo. Just really a brilliant song.

"The Cure" has prominent bass playing by Cicciarello, and continues the overall feel of the album. In my opinion this song does not resonate with me as much as the others, but it is still solid.

This next track sort of opens up like "Fire Eyes" with quick hi-hats hits and rhythms, but the overall feel is totally different. "Horizon" makes you feel like you are on the run and as I'm writing Berg began singing, "I'm already moving," so maybe I got the point! This song could definitely be a single, and I can also hear it as part of a soundtrack for a movie.

"Strides" is up next, and follows a sort of bluesy tone to it in the beginning. It is probably the most different of the tracks on the album, and has differing parts. Perhaps my biggest gripe on the whole album is that this song is only about two minutes long! I want more!

Closing out the album in "Leaving." It sort of has a march to it in the chorus. It is super catchy and mixes a few different styles on it. I love the string work on this song, and Berg sings with such passion here. It is the perfect closing song for an album because it sounds like the closer of a set. Well done on this track.

Hello, Seattle is super tight! Everyone in the band is on point and they definitely play well together and are comfortable writing together. Piano, bass, guitars, drums all hit the nail on the head with consistency and pin point fluidness. Maxwell is a great lyric writer, and knows how to engross the listener. Berg has a bit of Hayley and a bit of Avril, but yet is able to find her own voice among the comparisons to really deliver on all the songs.

Improper Greeting is a wonderful first step into music for this band, and as I told the bass player, I had no sort of idea of what the band sounded like coming in, and boy was I impressed!

Check them out at - 
www.wix.com/helloseattlemusicny/home


Thursday, September 26, 2013

Signal For Pilot Album Review for 'Man Eating Shark'

Signal For Pilot is a band like I have never heard before, and upon checking them out, you'll probably agree too! The band considers themselves to be, Alternative Rock/Indie Electro-Pop Core, but I'm sure you can find your own mix of sounds in their too. Their newest release Man Eating Shark, is an excellent foray into a musical journey from these Long Island rockers.

The band consists of: 
Chris 'Jaws'- Drums, Percussion, Vocals
Patrick Flanagan- Guitar, Vocals, Electronics
Scotty 'Tru' Truelson- Keyboards, Synth, Vocals
Keith Smith- Bass, Vocals

The album opens up with "Dangerous Waters," and from the get go I like what I am hearing. The song is super catchy and poppy, and has a good blend of synthy effected chords with heavy guitar riffs. I really love the synth at the end of this song! This song is definitely a single.

"Nosferatu" is for lack of a better word, a cool track. Musically, it feels themed, all most theater like as it is telling a story. Plus, who doesn't love an ode to old vampires with the name! The solo section over the pulsing bass drum hits into a softer bridge is superbly done.

The next track, "Mr. Parole," sounds like if My Chemical Romance and Family Force 5 had a baby. The verses and vocal style are really punky reminiscent of old MCR. The electronic sounds and hi energy vocals of the chorus and ending cover a totally different spectrum. This song is very mature in the way it blends together sonically. This is my favorite so far.

"Hot Chicks and Aliens" follows in the same vein of the previous song and kicks up the music a notch, and tones done the hi-paced energy. This is more of a straight up rock song and anthem, and could definitely hear this on the radio playing alongside anyone out there.

"Eerie Sounds of an East Coast Wreck" starts off with a burp…yes you read that right! This is a fun pirates/sailors anthem that talks about life on the sea. It features gang vocals that would make you feel like you are on the galley of the boat with them. I have never heard anything quite like this and have it be a serious song among the others. To clarify, I mean serious as in, the song is not a joke, it is very well done. It includes cannon sound effects, so what's not to love.

The next song brings the album back off the water on onto land for, "Surface and Back." The tone of the album switches right off the funny loving party song to perhaps the darkest of tunes on this record. The synth is gone in favor of a haunting piano over precise guitar riffs and intense vocal harmonies.

"Better Late Than Never," is a soft piano ballad that showcases the vocal flare of the lead single. Midway through the song it starts to build. Other instruments lightly playing are introduced and a number of harmonies begin to repeat and assemble in the foreground. This song is extremely well done and gives the listener a sense of intimacy as they enter into the lyrics themselves.


"No One Was There" picks right back up with crunchier guitars and has a Taking Back Sunday circa Louder Now feel to it. It has a good vibe, and motion to it, and then it hits you unexpectedly with some dub-step! This is the first time such an electronic breakdown was featured on the album. The fadeaway vocals at the end of the song back into the music are awesome!

Following the previous track is, "Uniform," which now brings me a Used comparison, but completely original. The music is very precise and again, almost singlehandedly paints the picture on its own. Included is a roaring, climbing guitar solo. The almost chanted like harmonization of the final chorus is a nice touch as well.

Closing out the album is "Collide-a-Scope," and say hello a more involved sound then the rest of of the album. This song is definitely mainstream, and has an aggressive alternative chorus over their electric infused rock. Also most noticeable in this song is the drums. The drummer sounds like he went all in and had serious fun on this one. It is a perfect finish to an album, "I don't want to say goodbye."

Overall this is a fantastic first entry to music for Signal For Pilot. Man Eating Shark nailed it on every front and contained no filler songs. Their unique blend of rock/electronic/punky-grunge is among the most diverse sounds I have ever heard. The band can be linked to so many others. First thoughts are Family Force 5, Chronic Future (without rap), Panic! At the Disco, and too many more yet they take these styles and make them completely original. The best part is most of the album is themed to water, and regardless of the song subject material, they all fit well together.

Look out for Signal For Pilot and their Man Eating Shark!


signalforpilot@gmail.com

Friday, September 13, 2013

Charetta Prepares for the 'Apocalypse' with New EP (Interview)



Tell me about the new single "This is Your Fall," and what has the response been like so far?
"This Is Your Fall" is the first single from our upcoming Apocalypse EP, which will be released on Sept 29th, 2013 at our show with Eye Empire at Revolution in Amityville, NY. The fan reaction has been great so far. The song started around that vocal hook, "Im not gonna break, Im not gonna fake, Im not gonna take your fall," in the chorus. Angelina was singing that one day and it was stuck in my head for hours afterwards. We felt compelled to build a song around it. Musically, it's probably the most diverse song we've written to date. It's still very much hard rock, but you also hear hints of goth, pop, and progressive elements as well.
 
How does the new single prepare your fans for the upcoming Apocalypse EP?
It definitely sets the tone for the "newish" direction of the EP. I recently listened to Defying The Inevitable (1st album), and A Nation Distracted (previous release), and these new songs are a little faster and moodier. Angelina has really developed as a songwriter/vocalist. There are more vocal hooks than the prior songs - you know, those phrases that jump out at you when you're listening for the first time. (See: "I'm not your bitch")

What will be different with this upcoming EP that the band may have not explored before musically? 
Screams, guitar effects, and heavy breakdowns. Ange had been listening to a lot of "In This Moment" in the time we were writing, and some well placed screams really help bring out the emotion of a few songs. I don't want to scare people off with that one though - its still 95% singing.  

Will there be a music video for "This is Your Fall?"
We believe so. We have a few ideas for the story lines and visuals that match the mood of the song. Our next step is finding a producer who can execute our vision. We also just finished a lyric video for our second single, "Im Not Your Bitch." 


Please explain - "Sounds like Alanis Morissette punching Chevelle in the face!"
If Alanis Morissette punched Chevelle in the face, that's what we sound like! (haha) But seriously, I think it came from another review in the early days of the band. We had mentioned that Alanis was a big influence on Angelina when she was starting to sing, and Pablo mentioned he was a Chevelle fan...and the tagline was born! Just don't ask us what CHARETTA means.

What does CHARETTA mean? 
I joined the band halfway through the 7 year history, but I think its an old Latin phrase for the ash that covers a city after a volcano eruption. 

What's the band's biggest rockstar moment?
Probably after our sold out show at The Gramercy Theatre in NYC last summer. We walked right off the stage and over to the merch booth, and were getting swarmed by people wanting to say hello and sign stuff. Angelina is used to that a little more since she is the singer and most recognizable, so when people start coming up to the rest of us, we know there's a serious crowd! (Haha) We now know to have a dedicated merch person on staff at any larger show.

What's one thing as a band you wish you could all do better?
Pulling Miley Cyrus and Jimmy Kimmel-esque publicity stunts. 

All answers by Chris Fullam, check out Charetta at - https://www.facebook.com/charettamusic

Thursday, March 21, 2013

Backfire EP Review 'Prisoner of War'


Backfire simply put is a rock band, but if you listen deeper and uncover the layers of their music you'll discover hints of classic rock, 80s metal, and new alternative.

Consisting of Vincent Lane (vocals), Andrew Ahne (guitar), John White (guitar), Carl Giacalone (bass/vocals), and Jay Nichols (drums), they just released their first EP, Prisoner of War.

The EP opens up with "Prisoner of War" which calmly transitions into fast paced metal guitars reminiscent of an 80s metal band. Lane is telling a story about not giving up and pushing on. About two and half minutes into the song, a nice instrumental section complete with solo and dueling guitars and a quick drum fill fit nicely into the last chorus.

"One O'Clock"comes in soft then switches to blaring guitars and heavy tones. The effect on the opening vocals are very good and the chorus is tight. Again, more guitar solos and more metal! Solid start so far.

"Regret" is probably the catchiest song on the demo and has my personal favorite chorus. "My regret is what kills me, my regret is undaunted..."as gang vocals chime in. I'm also really digging the harmonic "woah-o's" at the end. It adds a little dynamic and diversity to the music.

The next track, "Trifling Whore," slows things down a bit and is more of a ballad in the beginning. The meaning of the song is pretty self-explanatory and yet has an epic vibe to it. The song shows great maturity in the band as they are able to mesh their signature sound along with something slightly different.

"The Few, the Proud, the Forgotten" sounds like it is the most single worthy track on the EP. It has a little bit of something for everyone and a strong chorus. It has a climatic build towards the end that has Lane belting out the finals words of the song.

Overall the Prisoner of War EP is a solid first effort for the boys of Backfire. They take familiar sounds and make it their own. Lane has a great almost classic type of voice. The guitarists Ahne and White shine most with steady and consistent riff work throughout. Be on the lookout for these guys!

Check out Backfire on Facebook.

Wednesday, March 13, 2013

Diet Review for New Single 'Knee Brace'


Having never heard Diet's music before, I went into this not knowing what to expect after I got a message from vocalist/guitarist Thom Kinnear. With that being said, I absolutely loved their up coming single "Knee Brace."

Diet has a punk sound so familiar and yet so unique at the same time. They are a mixture of the Offspring, Blink 182, New Found Glory, and Nirvana, with the later comparison occurring toward the midway break point of "Knee Brace."

Thom has a great tone and quality to his voice. It's almost like if you mixed Mark Hoppus' and Tom Delonge's voice together, essentially Blink 182 with one vocalist.

At first I wasn't so keen on the mix and levels for the vocals and upon further questioning, Thom told me it was on purpose saying, "The vibe of this song was really personal so we wanted the vocals kinda low to make it really like unsure of what I'm saying but still hearing the melody and some words. I kinda wanted it to sound like mumbling and me being nervous for some reason; the low vocals were definitely on purpose for this one song."

The song has multiple parts alternating between really fast and slow, melodic and more pulsing. Overall, if every Diet track sounds as good as this first one, then I'm a fan. Great, creative instrumentals with a unique blending of punk sounds and good vocals.

One more thing...I CAN"T show you all the song! But if you want to hear it live and have it made available to you, come on out to the Arts Cypher in Staten Island March 23rd along with Figurehead, my band - Process of Fusion, and others! Info here.




Listen to some other demos on their Facebook page!
http://www.facebook.com/dietfudge
dietnewyork.bandcamp.com
@DietTakeover
diet_newyork@yahoo.com

Tuesday, January 8, 2013

Hurricane Sandy Benefit Show - "Get Young"

Spread the Rumor, Sandy Benefit show
I don't know why but I have been putting this blog post off for a awhile. I almost felt like it had to be written the night the show happened, but I have a clear head and a goal in mind. First and foremost I would like to thank everyone for the love on the Sandy documentary. I put a lot of hard work into it, and now we'll have a complimentary piece to go with it.

Please listen to this as you read and download it for FREE! 




E.N.D. performing at the benefit. Photo by Vlad Grach.
December 23rd 2012 will forever go down as one of my favorite memories as a musician. One day I'll tell my children about the night their father helped usher in some of the best moments of his youth while  uniting friends, family, and a community to do something amazing. I'm not trying to sound pompous or gloat in this fact, but I will say that I take great pride in the event that was of course made possible with everyone who played, the Full Cup, and those who spent their hard earned money to give back to people in need, and Jay Campbell who saw my vision as well...amazing.

I'm getting married in April, reality check, I'm not growing up anymore, I'm grown. Some of you are there with me, and some of you are getting there. It's tough, it's scary, it's a little depressing. Everything I once knew, or "still" think to be true is going to change. I'm not a kid, I'm no longer in school (I finished), I have to work and make money. I can't sit around and play music in my basement all day while fantasizing about rocking the Garden someday. (I now do that at my desk at work ha). I'm not trying to be a buzz kill, but the point is as we grow older we lose a lot of what we used to love in the shuffle of life. So for one night, and perhaps for the last time, the 23rd helped me remember and relive everything I ever loved about being a musician from Staten Island and rocking the faces off the crowd with my "musical family."
Patrick, Justin, Mike. Classic POF.

When my band Process of Fusion started out in 2007, it was just Patrick and I and we were terrible. We played our first show on a two hour notice. I played drums and rapped a little, and Pat sang and played bass. Our friend Mike came and learned two songs in half an hour. That show we met EveryNight Drive, It's Not Over and the Corrao Q. It's Not Over was really tight and we could tell they were serious about what they did. Corrao Q's drummer, Simon, had been a good friend of mine but I never saw his band. They blew me away with their musicianship and passion on the stage. Til this day I think they are my favorite local band from S.I. and at the time they were 15 and 16 years old, I was 18 (24 now).
Steve, Justin, Pat. POF

The event we played was called Purge the Purge. PTP was started up by a friend, Carissa Sutter. It was an organization that raised awareness and money for girls with eating disorders. (Funny that we met during a benefit and reunited for one...) The next show Pat and I played, I switched between drums and frontman while our friend Steve switched between guitar and drums. It was weird, it was bad, but we received so much love from Corrao Q and the other band we really connected with that day, EveryNight Drive.

EveryNight Drive were like the good guys of the music scene. Everyone loved them, everyone pushed for them to make it, everyone loved them as people and as musicians. Pat and I wanted to be like E.N.D. Everything they did was great, the sound, the music, the performance, their characters. They liked us when we started out and we developed a great relationship with them that had us playing CD release shows, Halloween shows, and even Roseland Ballroom together. Their drummer, Manny, filled in for us several times (Simon too), and was even in the band for a brief period of time as we could never keep a drummer after I made the switch to vocals.

Backslashes & Bad Ideas, Sandy Benefit show. Photo by Vlad Grach
We met most of Backslashes & Bad Ideas (Cobalt Sky, kinda) at a PTP show where EveryNight Drive played a showcase for a record label. That was sometime in 2008, early 2009, I believe. Cobalt Sky was fronted by Nick DePalo who would become a friend over the next couple of years as he played with various projects and bands that we played shows with.

To my understanding, we met Spread the Rumor at a Purge the Purge show that was held at the Cup in early 2009. They were another band we would "grow" up with and play shows with all the time. Those girls became my little sisters of music. They were amazing and tough too! Pat and I had asked if they needed help with equipment, and refused us!

I like to joke that these bands became the Superfriends of sorts because of all the time we spent performing and hanging out together, also, I'd like to shout out Pete King and his bands at the time, Groove Revival and Through the Year. They were an integral part of our scene as well.

By the end 2010 the Superfriends started falling apart a little bit with various problems I won't get into. Corrao Q was no longer a band, E.N.D. after several lineup changes was breaking up, Cobalt Sky was no more but Backslashes was born, and Spread the Rumor played their last show, not to mention our beloved home, the Cup was closing! On August 31st 2010 Manny ran a toss up between this last show, for the show of all shows at the Cup. That "last" show at the Cup featured ten frequenters/all-stars of the Cup minus Corrao Q. (READ ABOUT THAT HERE).

That show was very emotional as some of the scenes favorite bands disbanded and our home closed, (not for too long though). People were crying, dancing, hugging, and singing along. The house was packed with about 250 people who stayed from start to finish. I never experienced anything like that in my life. There was so much love and respect. After that show I didn't feel like music would ever be able to fill that experience in my heart, and for the most part it didn't, until this last show. The memories came flooding back as the familiar tunings of guitars and melodies of choruses came off the stage and into the speakers. It was beautiful, it was perfect, it was the best moments of 2007-2010, it was home.

Corrao Q, 2008. PTP show
That night Staten Island needed heroes to bring a little cheer back to our Island which had been ravaged by the Hurricane, and also a little cheer to a few humble musicians who are still on their grind who needed to be reminded of their youth. "Get Young" was the slogan of the freshly back in business EveryNight Drive after a two year divorce. They are now happily remarried and ready for new music! Corrao Q was a treat we may never see again, but they certainly felt the love and were just as good as they were in 2009. Spread the Rumor killed it, and I have a hunch we'll see these ladies again doing something together! Backslashes has been doing their thing and had a great 2012 after a somewhat not active 2011. It's Not Over is exploring a new style of music, and creating new opportunities for themselves. Process of Fusion had a great 2010 and 2011, but 2012 was really just a bad year for us musically, emotionally, and creatively. Honestly speaking, we were dead, but now our heads are on straight and 2013 is looking like its going to be a great year for us!


It's Not Over 2012
Here are some facts. December 23rd, we came together and raised $1270 that will go to help people displaced by Sandy. We performed to roughly 180 people. E.N.D. absolutely destroyed the Cup with garbage; balloons, silly string, and candy...damages not included. A scene that had went away came back for a little bit, and we all had a blast in doing so.

2012 ended with a bang, and hopefully that shot keeps ringing in 2013 as a rejuvenated bunch of non-famous musicians continue doing music whether it be solo, together, or in different bands. I love you all. Thank you for making me feel 19 again, thank you for caring about this cause as much as I did, thank you for being the amazing influential musicians and heroes I've always known you to be, and most importantly, thank you for giving me a reason to do what I love most several times a month, play music.
Corrao Q 2009 and Justin from POF.

Justin (POF), Manny (END), Simon (Corrao Q)
Please watch the documentary of the night, and share with everyone you know.



Leave your best music memories in the comments below.

Friday, December 14, 2012

New Music and More!

Here's a quick little link drop to keep the masses satisfied!

In case you missed it (most of you did, which is a shame) a pretty famous rapper came through Staten Island last week with his band of merry lyricists. The creator of 2010's big hit, "I'm Awesome," was here with Cam Groves and the Educated Advocates. Check out some video I took of them!



This next video is by a good friend of mine who's just starting to get his music out. Shout out to Antonio Yhap. Here's his mixtape, Immature.



Of course, here's lovable local Backslashes & Bad Ideas. Check out their song Phoenix With an F.



December 21st the world is supposed to end, so go see a last show and check out End Of The World Christmas Brewhorsehorse @Dock Street! Oh yeah, and FigureHead and West of Dennis are going to be there! Here's the Facebook invite and a promo video. http://www.facebook.com/events/466675143384239/



Last but not least a show that is dear to my heart because I created it by some insane miracle and the power of giving...Hurricane Sandy Benefit & Christmas Party! F/T - EveryNightDrive, SpreadThe Rumor, Corrao Q, and More at Full Cup! http://www.facebook.com/events/512183518801567/?ref=ts&fref=ts

This show, December 23rd, is going to be great for so many reasons. #1 and most importantly we will be donating all proceeds to organizations that can help families affected by Hurricane Sandy, especially important during Christmas time. #2, my band was part of a music scene that more less died at the end of 2010, and now I've managed to recreate the "Superfriends" of my era. So to play with my best friends of music is very exciting. #3, EveryNight Drive is back together and the Corrao Q and Spread the Rumor have reassembled for one special night.

Throughout the night there will be raffles and giveaways as well as an after party! Here are some promo videos I made for the event.



Thursday, December 13, 2012

Pete's Lost Luggage Interview with Jon Marotte



First and formost, explain the name Pete's Lost Luggage. Is there a great story?
Sadly no, I would love to say that there was some hysterical story behind the name but it’s actually kind of lame. Pete was in Italy for a month doing God knows what, and he put a status on Facebook which I comment on saying “if you don’t write lyrics while you are out there I hope you lose your luggage.” Then one of us suggested we should call ourselves Pete’s Lost Luggage, which we all thought was kind of funny. Mostly we felt having a silly name, embodied our attitude about the band. We aren’t taking ourselves too serious and we felt a silly name would be fitting. So far some people like it some people don’t but that’s just the nature of everything in life.

At the core, what is this band and what are you looking to do as musicians?
Have fun! That’s the first thing we all said when we put this band of misfits together. For the most part we are old (if you consider 25 old) Jon (me) is 25 and the oldest member. But we’ve all been playing in bands for years. I had my first band when I was 15, so 10 years I’ve been playing locally. I disappeared for a few years because I didn’t like the way the scene was going but we will get into that later... So this band from day one was just about us having fun, playing the music we love, and not giving a shit what anyone else thought. I’ve heard people ask
why I still listen to or want to play Punk when punk's been dead for years. My answer has always been because I love it, the music is emotional, it’s aggressive yet can be calming and uplifting. So many emotions can be fit into a two minute song, and of course most important it’s fun. I always felt metal and hardcore (and I listen to a lot of metal and hardcore) was always too serious. Music is supposed to be fun, it’s like anything else in life, there’s a time to be serious and there’s a time to be silly. Sometimes you can be both at the same time. But for the most part it’s just about having fun, playing the music I grew up loving and still love to this day.

How do you feel the current state of punk rock is in the mainstream and locally?
I can only speak for myself on this one. For me personally it sucks, mainstream has always sucked, you had that good time period when bands like Blink 182, Green Day, Brand New got airplay but even then only a small group of people actually liked it. And I prefer my bands not being on the radio and/or not being too popular because it makes it more personal if that makes any sense. Locally the scene seems like it’s getting better. Like I said earlier I left the scene probably around 2006/2007 after my old band Holdaway/A Class of Their Own split. I didn’t like the direction it was going in, it got too hardcore. The music was still good, even though I am more partial to punk, but there where some good bands, The Broken, A Dozen Dying Roses, That Hideous Strength (which actually for the most part was the same people I was in Holdaway with, just a different guitarist and singer) but all the good punk bands broke up for faded away. 

When I started to going to local shows there where some f***ing awesome bands, Melmac, Sydney, Big Wheel, Miracle of ’86, Ripping Christ from the Cross, those are the bands I loved going to see. I remember going and playing shows at Dock there would be 200+ people there, all different types of people and different genres of bands would play it was awesome. Then the hardcore scene took over, and like I said there were good bands but the people sucked. That whole “crew” fad happed, where there were different hardcore crews and they would fight each other at shows. Moshing and jumping around where replaced with beating people up instead. I never got into that. I had a good friend of mine jumped at a show because the band whose shirt he was wearing backed a different crew and the other kids didn’t like them so they f***king jumped him. And he was like the nicest dude ever. It just got stupid, now a days the scene seems like it’s improving, there some good younger bands, Wester, Everything Ever, Process of Fusion, we’ve played with these guys and I dig them. We just need more venues on the Island 10-12 years ago there was a lot more places to play, Dock St, The Wave, The Caves, Martini Red, The Lane. Now there is Full Cup and I guess Dock St still. But the crowds need to be better, seems the days of 200 people at a local show are over, now your lucky if you play to 25, most people come see their friends band and leave, it’s sad.

You guys are definitely influenced by a lot of great bands from the 90s and early 2000s. Who do you guys most wish to sound like and what is unique to YOU guys alone?
Again I can only speak for myself on this one, and I wouldn’t say we try to sound like them, more influenced by. For me I’d say Lagwagon, Strung Out, Brand New, and NUFAN, any of the Fat Wreck, Lookout or Epitaph bands. That’s my style. That’s who I steal from, I mean am influenced by the most.

Tell us about your EP and the process of recording?
The E.P. has four songs and they are all awesome (laughs). The process was fun, recording was always one of my personal favorite parts of being in a band, finally hearing the songs you’ve worked of for so long become tangible. And when they come out even better then you imagined it’s a great feeling. But we have to give a lot of the credit to our buddy Joe Dell’Aquila of Exeter Studios who did the recording. He’s awesome, he does a
great job and it’s a lot of fun recording there.

What song do you feel is really a standout, and is your new music going to be in the same vein?
As far as I am concerned "Steve! Look Out for that Stingray" is the best thing I’ve ever written. It’s fast it’s catchy, Pete wrote a great hook for the chorus, and not to boast but, the outro is a work of art! I love that song. In regards to future stuff, for the most part it will have the same feel but we do want to mess around, be versatile, try things. Who knows, maybe one day we will put out a funk album instead of punk!

Rumor has it that Pete has a history of falling on stage. Is it safe to say he has a"substance" problem like all "real" bands? 
No, he just has really bad balance, and it’s like the old Chinese proverb says “man with poor balance, fall down a lot.”

If you had to make an all-star lineup of punk bands to do a show with, who do you choose?
Lagwagon, Descendants, No Use For A Name, Strung Out, Brand New, Lawrence Arms, Wilhem Scream.

What's in the immediate future for the band?
Writing songs for a full-length album, we hope to be in the studio sometime early 2013, and playing shows, got any we can play?

Anything else to add?
I’m sure there is more I could say but I don’t feel like typing anymore.

Check out my album review of Pete's Lost Luggage 

Listen to their album here

Wednesday, December 12, 2012

Korey Costa (Formerly Carpe Diem) Interview

First and foremost, who are you, what do you do, and why should we care?
I am Korey Costa. I am an artist, performer, producer, and fan of all three. The one thing that I think that sets me apart from others who do what I do is the pure authenticity of what I create. I write my songs, produce the music, record it all myself, mix and master the final product and release/promote it independently. I've had others help me in the process, mainly with show booking, but I think my biggest accolade itself as a 16 year old kid is being able to do all of this.

Your name was Carpe Diem, now you are going with your actual name, why the change, and how is "Seizing the day" a way of living your life?
The phrase 'carpe diem' has always held value to me, and I've attempted to live life by these ideas. Every day is another opportunity to absorb and become better. A time came when I believed the phrase held enough meaning to me to actually brand and recreate myself under the moniker. Although I've seen a lot of success since the name change last January, I've come to a realization that the phrase as an artist name is somewhat generic and doesn't represent me. To fully represent myself, I am changing again (for the last time), to the name my parents gave me. The concept of DIEm, notice the 'DIE', is the figurative death of the Carpe Diem character. This was not done to abandon anything I have made in the past, but to move forward without the restrictions of portraying a character. Basically I am giving myself more personal and creative freedom.


As a young rapper coming up in the game, do you feel you are at an advantage or disadvantage?
There are constant ups and downs to being a rapper as young as I am. On the bright side, I have years ahead of me to perfect my craft and find success. For example, I've opened for artists that could be considered famous and I'm still a high school student. The position that I'm in and the time I still have left definitely makes me feel comfortable as I pursue this as a career. Also, being in school with so many people my age gives me a large audience to promote myself. Of course, there are conflicts too. The most obvious one being finding shows to play. Many shows are 18+ or even 21+ and although I've been able to find people to make an exception, this is a roadblock. There is also the main criticisms I've received, which are about my lack of experience and the higher tones of my voice.

Do you ever get hated on for being a teenager or do you find it easy to earn your respect by being good?
Yes and yes. I don't often get pointed out by others regarding my age, but I'm very familiar with the odd face expressions I receive when I first step in a venue or on stage. And this does not come as a surprise.. I would probably be doing the same thing if I weren't in this spot. However, I've fortunately been able to turn most of those faces into impressed or even smiling and earn the respect of those people by just displaying what I am best at.

How long have you been rapping and who are your primary influences in music?
I've been writing raps since 2008, which was my 7th grade school year. At the time I was simply experimenting, I wasn't any good and also wasn't very informed on rap music. I can't help but to admit that Eminem was the reason I began to give it a shot. Once I became more interested, I looked to artists such as Jay-Z and Kanye for inspiration. More recently, my primary influences have been artists such as Joey Bada$$ and the entire Progressive Era, Black Hippy (Kendrick Lamar, ScHoolBoy Q, Ab-Soul, Jay Rock), Macklemore & Ryan Lewis. My inspirations have been more locally focused, specifically the Brooklyn hip-hop scene and the culture of it. This includes Pro Era as I said, Lakutis, Kool A.D. and Heems, Ratking, and other alternative hip-hop acts. I find inspiration from several genres but these are my core influences.

You perform a lot at the Stanhope House. Is that your "home court" and do you get a lot of local support from your town?
The Stanhope House could definitely be considered a "home court" to me. I actually referred to it as my second home during a recent show. If I've kept count correctly I've performed at the Stanhope House nine times in the last eight months. My biggest shows, opening for Mac Lethal last May and then Kool A.D. in August, were in Stanhope. As I attempt to expand as an artist, I'll always return to the Stanhope House whenever they invite me. I love it there. I get a tremendous amount of local support. From my family to the select kids in my school to the regular Stanhope House goers among others, I've been blessed to sell tickets for every show I've had, seem some local success in mixtape uploads and YouTube video views. I have a solid local fan base that has definitely helped me jump start my music career.

Tell us a little bit about "Yancey" and what do you feel is your strongest track on the mixtape?
The idea to make a J. Dilla-produced mixtape actually came from a trip with two friends of mine to the Princeton Record Exchange. While I was there, I purchase Biggie's debut album and Lucas With The Lid Off and when I saw J. Dilla's instrumental compilations Donuts, I knew I had to get myself one. By the time I had gotten home that night, I had already written two songs off the tape, "Geek Down" and "Thunder." The strongest track on the mixtape is "WAFFLES," which features fellow local rapper and a good friend of mine Shameless Plug. This closes the tape nicely with the best verse that I wrote for the project.

What's the best piece of advice you've gotten from other emcees you've worked with?
I've honestly gotten so much advice that it's hard to specify. I've been told to stay the way I am and keep it real and things like that which always keep me going. Recently at a Hurricane Sandy Benefit show in Ledgewood, a rapper who went under the name Truth told me "stay conscious," which is relevant to the direction my music is going in.

Biggest rockstar moment, and biggest felt like a failure moment in music?
My biggest rockstar moment has to be the show I had with Kool A.D. and his affiliates. The entire night was an experience for me. I got to meet some big names in the game, and names that have gotten big since then. Fat Tony and Fat Cruz, Chaz Van Queen, a whole bunch of talent coming from those guys. They were really cool to me and showed me mutual respect and that was dope. My biggest feeling of failure must've been this one tape that I put out in June of 2011. It was the second project I had ever released so I knew how to make a mixtape that my friends and fans would like. It was titled Musickness, those who have it can listen to it but otherwise I've deleted every link to the tape. I was in a lame state of mind and got caught up doing some stupid things with some kids my age and that showed in the lacking of creativity. Since that time I've been very strict with myself so that I don't put out anything that isn't to the best of my abilities.

Where do you see yourself in the next couple of years and what are some short time goals?
In the next couple of years, I see myself continuing to create music, most likely with the same methods and recording process. The independent route is still my goal, hopefully being able to expand my audience to be able to book shows throughout the tri-state area and maybe one day further. I'm just taking this a day at a time and keeping my artistic integrity; staying focused and not letting the daily routine put me in a daze. But some short time goals at the moment are receiving good reviews off this DIEm video, creating another all original project to release next year, finding new spots to do some performances and continuing to improve myself musically and personally.

Top 5 best rappers dead or alive?
This is always the hardest question to answer. These don't necessarily reflect my favorites right now and I'd have trouble putting them in order, but the top 5 greatest rappers of all time in my opinion are Kendrick Lamar, Nas, Eminem, Andre 3000 and Jay-Z.

Anything else to add or promote?
Watch the DIEm video with an open mind, it has a underlying theme which can actually be very powerful once understood. I have a show this Sunday at the Canvas Clash in Boonton, NJ for anybody interested. Shout out to reckless, fans of mine who read this, all my local artists, cyberpunk realism 2013. And I'm out!

Download the mixtape - http://www.datpiff.com/Carpe-Diem-Yancey-prod-By-J-Dilla-mixtape.409080.html

Friday, December 7, 2012

Fairday Skyline 'My Empire' EP Review



Fairday Skyline is a local Staten Island band consisting of:

Kyle Blaine Corman - Vocals
Matt Kessler - Guitar
Patrick Granton - Guitar/ Backing Vocals
Michael Koltosky - Bass/ Backing Vocals
Manny Mavrakis - Drums/ Screams

I know a couple of the members of this band very well from them being members of various other S.I bands. Glad they found a home together in a band that seems to be going places.

Their EP, My Empire, which to my understanding has not been released (SNEAK PEEK!), is the first studio compilation by Fairday Skyline, so here we go!

The album opens up with an instrumental called "With Glad Tidings." I really like the track, it's almost like the score for the intro of a film and is kind of ominous as it goes into the first track. A perfect intro that leads right into the ripping chords of "Waiting For Someone."

"Waiting For Someone" is a solid start to the album. Kyle's harmonies over the chorus are great and are complimented nicely with Manny's screams. The track has just enough instrumentation in it and features a gritty instrumental part into a softer lull before picking up into the final chorus.

Artwork by Nick Pisani
Next up is "Who Decides," and I'm deciding it's the catchiest song on the EP (sorry, I had to). The chorus is almost like an anthem to adolescence and the whole music scene. It's an awesome story to paint a picture in song, as we all know somebody that can relate. This would be the most worthy radio single on the album. Just like the first track, there's a slower bridge that leads into an almost break down like rendition of the chorus.

"Spreading the Disease" feels like a heavy acoustic song in the beginning, if that makes sense. Mike's bass-line throughout the song is great, and the music is the most dynamic on the album. There's a lot of nice guitar and drum parts. Overall, just a really good song that has something for everyone whether they are looking to just jam or vibe out. Also, around the 3:50 mark there's a pretty cool humming bridge which allows Kyle to get in at showing his talents off.

The following track kind of feels like a throwback in music to me. "Down to Earth" has an interesting sound that I can't put my finger on. At times the guitars and their tuning remind me of something out of the early 90s or even 80s but the vocalization is more dare I say Senses Fail-ish Alternative/Nu Metal like Shinedown. I'm very confused but in a good way, nice job guys! And finally the song displays some of Manny's deep growls!

The last track, "Maynard Fights Fan," is the most different on My Empire. The verse kicks in with an almost jazzy like guitar part interlaced with Kyle's singing and Manny's screams. It's very cool to say the least. We also see the bands catchphrase come in during the chorus, "We Are Terrifying." The second verse is musically like the first, but a lot heavier. Guitarists Matt and Patrick do a splendid job on this song going back in fourth between sounds and the song becomes almost genre bending. The heaviest part of the EP comes at the end of this song, providing a great way to go out.

Fairday Skyline has a signature sound and way they create songs. They seem always have an intro to the song that changes as the vocals come in, and they have a quieted down bridge and/or solo instrument section. The production and instrumentation is great. Kyle's vocals are well done and well layered. Manny's screams are on point and piercing. My only complaint is that he be featured more, but that's my preference for heavier stuff. A great first effort by the band, I encourage you all to get yourself a copy of My Empire!




http://www.facebook.com/fairdayskyline
http://www.twitter.com/fairdayskyline
http://www.youtube.com/fairdayskylineband
http://fairdayskyline.bandcamp.com
http://soundcloud.com/fairdayskyline
http://www.reverbnation.com/fairdayskyline
http://www.purevolume.com/fairdayskyline
fairdayskylinebooking@gmail.com