Showing posts with label pop-punk. Show all posts
Showing posts with label pop-punk. Show all posts

Monday, October 28, 2013

Backslashes and Bad Ideas 'There's No Place Like Home' EP Review



Local Staten Island band, Backslashes and Bad Ideas, are gearing up to release their second EP, There's No Place Like Home, off of Harbor RecordsNovember 9.

The band is:
Nick DePalo - Vocals/Guitar
Josh Crono - Vocals/Guitar
Ricky Abolt - Vocals/Guitar
Nick Colella - Bass
Ed Mone - Drums

With the musical stylings of post Tell All Your Friends, Taking Back Sunday and early Brand New, B&BI make the music of mid 2000s teenagers "mix CDs," but with updated flare for 2014.

"North By Noreaster" is a great intro instrumental track. It features nice acoustic guitar work, and a happy feel good bass line that eases the listener into what is sure to be something fantastic.


"Defend Josh's Life Choices," speak of the Devil, it's an ex-Taking Back Sunday member on a track! Fred Mascherino, former guitarist and secondary vocalist of TBS, makes an appearance on this track and fits perfectly. 

I am throughly impressed with this song for several reasons. 1) The song rocks. 2) B&BI have Fred "I've gotta bad feeling about this" on a track! 3) I prefer DePalo's vocal performance on this, and think he outshines the feature. Kudos Nick!

The next track is, "No Matter What Happens, Don't Ask Who." The opening is pretty cool because it is kind of mellow, but punky at the same time. Mone's double bass gallop throughout the song is most welcome, as is the guitars that weave in and out seamlessly.

This track has several different parts to it with the real highlight coming in the bridge over some guitar shredding and dual vocals.

"Conditions" follows, and is a perfect example of everything that is on this album. Depalo's smooth, calm vocals contrast nicely with Crono's more heavy and raspy background vocals…Then, just as you're ready to get to the end of the song, enter the female vocals!

The ending of the song is pretty awesome, three vocals going on, three distinct guitars going on, really strong start, and and even better ending to the song.


Following in vein of the last track, "Southern Tea" is an acoustic track that in its own way feels like a stripped down single reminiscent on something from Pop Goes Punk. I would love to hear this song with the full band just to gauge it. However, it is great as is!

Closing out the EP is "Wearing Thin." Shout out to Staten Island in this song! This is probably the most aggressive song of the album, and actually my favorite as well. Depalo and Crono showoff the throaty sing songy rasp scream, which makes this track all sorts of awesome. 

During the bridge Depalo speaks over a small musical break before gang vocals burst onto the scene and bring the EP home.

Backslashes again does a phenomenal job on this EP. Their sound has matured and evolved as well since the last release. The addition of the third guitar is evident as well. The drums are great, the strings are good all around, and the vocals stand up and stand out. The dual smack of DePalo's low with Crono's highs add a perfect dichotomy that this band needs.

The boys of Backslashes are making moves, and if their first EP was a step in the right direction, this one is a leap onto the highway. 

Keep up the good work fellas!





Pick up There's No Place Like Home November 9 at the Atlicic and Backslashes and Bad Ideas EP release show.

See B&BI's last review for their EP, Nothing Left to Give.

Monday, October 14, 2013

Former Superchick Frontwoman Tricia on Family, Going Solo and Real Beauty


This original interview was done of the Christian Post. Read it here.

Tricia, the former frontwoman of Christian pop-punk band Superchick, released her second solo album, Radiate, in August and just finished up a tour in support of it.

Tricia chatted with CP in an email interview and spoke about her views on being a role model, transitioning from rock to pop, healthy self-image and being a mom.


From punky rockstar to pop star. Is it tough musically to write for yourself as a solo artist than as a band, and how did you transition into the style of music you are doing now? 
The whole transition has been harder than I imagined it would be. I was used to writing as a band, and in Superchick, Max was the main writer. Being solo has stretched me, but I'm becoming a better writer. I'm not really even sure how we came into this sound. It's definitely more pop than a lot of Superchick albums. We knew going into it that's what we had planned. I guess albums tend to be reflective of the season we're in. We had just had our little girl (our first) and I think it was a happy, pop music season! 

How is Radiate different from The Road, and do you feel you have progressed as an artist since your first release?
As different as they can be! I had always hoped to record a worship album. It was kind of how I found my voice in worship as a kid. So that was a really special thing for me to do all around. My dad, sister and husband all sang on the album with me and I'm so proud of those songs because they were from our heart. I definitely think Nick and I are constantly learning as writers and him as a producer. I'm learning what I love to sing live; that's always important to me to – loving the songs that I sing live!

What's it like working with your husband on the album as far as the writing and production work?
We had to learn how to communicate, how to work and not take things personally. You have to be honest and try to be perfectionists, so that was the hardest part, I think. And sometimes the fact that our studio is here in our house, it's hard for us to walk away from it like a normal job. 

What are the themes of your album, and what overall message are you trying to convey?
God’s faithfulness, self-image, being an individual, dependence on God, acceptance of who I am and where God has me in this moment, choosing to be grateful for the good every day, choosing joy today no matter the circumstances around us and the list goes on!

In August Superchick announced their breakup. Was this a necessary step towards the future for your development to move forward as an artist, or more of "the right time?"
It was definitely the right time. When our drummer Chase passed away, I think we felt like there needed to be a goodbye and kind of an explanation to our fans. After 15 years there is such a relationship with fans and radio teams and everyone who's a part of your career. We didn't want there to be rumors or have it be anything it wasn't to our fans. It definitely helped our fans understand why I was going out on my own and that I hadn't broken up the band to do my own thing. 

Do you perform any Superchick material in your sets, and do you see possible reunions in the future?
Yes, I play a few of the favorites in my full sets! These songs have never gotten old to me and I still love that I was a part of something so special for so many years. I still hear stories of how our songs helped someone through a season when they were broken or hopeless. I love that songs are sort of a legacy and they will go on long after bands stop touring. 

I keep saying that I wouldn't be surprised if the chance came to tour together again one day, and I would be the first to sign up! I look back at the time with Superchick and feel so blessed by God choosing us and letting us travel the world and be a part of something really special as well as becoming family in the process. For me to have been able to do this with my sister, no words can describe how much fun we had together!! 

How important do you feel it is to be an example to young woman as someone with a platform to do so?
I believe that we all are leaders and each one of us chooses whether we will take that role seriously. But I do think we are accountable with what we do with our positions of leadership in life. I love that I have a chance to speak into girls’ lives! I remember vividly what high school years were like. I remember struggles and fears and insecurities and I want to be an example of a strong, courageous woman who is willing to be vulnerable about my faults and my struggles. Trying to appear perfect just doesn't work and it's exhausting. 

What would you say to girls who try to be the embodiment of perfection because of what they see in magazines, TV, etc?
My song “Mirror Mirror” really says a lot of how I feel. It angers me that the way beauty is portrayed is almost that it's the beautiful, "perfect" people who are happy. That happiness or wealth is a result of outward looks. There is not such thing as “perfect” and beauty is so much more than our reflection. I had people who really spoke those truths into me as a teenager and it helped me re-focus when I would start to obsess with how I looked and to think that who I am is just my reflection.

Do you feel music is a great tool for evangelism and why?
Music seems to be able to speak to people in a way just words can't. I know God uses it at just the perfect times in our lives to heal and encourage us. I love to be a part of that in someone's life! I get to meet people who were strangers and they share their heart and their stories of awful times in life and that I was a part of healing for them. I am so humbled by it and I love how it connects us as people from all over the world.

What would you like God to say to you about your career when it is all said and done?
I imagine what we all want to hear – “well done, my good and faithful servant!” I'm sure my heart hasn't been right every moment of every day, but when I pause and have God moments I know in my heart why I have stayed in this ministry for this long and still don't feel like God has moved me yet. I love to be a part of changing people's lives. Of making someone smile when they haven't for so long. Thinking that my songs can reach someone I haven't and may never meet, such a gift! 

What's in the immediate future for Tricia?
I just did a month of touring this record and had such a great time! This winter I am mostly home being a wife and mom. And at this point, we just pray that these songs start to connect with people. Next year the plan is to tour as much as we can! We will just keep writing in our down seasons and we will see where God takes us this year. I've gotten kind of used to a lot of working and then trusting and waiting in this career. We can only do our best and then see what happens and what doors open. 



Thursday, May 2, 2013

'Ocean Avenue' Yellowcard (Throwback Thursday)

Hey everyone, sorry for the little break, I kinda got married and stuff...so yeah, back to our regularly scheduled programming.

Not only is this blog post number 250, but it is also Throwback Thursday! Today we will be taking a look back at Yellowcard's "Ocean Avenue."



To me "Ocean Avenue" represents some of the better times in my life. I was a sophomore in high school and this song came out as the school year was closing and served to be the perfect backdrop to a great year with friends. In fact, the whole Ocean Avenue is a perfect summer album, if that makes sense. If I drove back then I'd surely have my windows down bumping this record.

Unfortunately, like most of the bands I like and most of the bands on Throwback Thursday, their popularity has greatly diminished the last couple of years. Yellowcard never went away though, and are on their 6th record I believe. The two releases after Ocean Avenue; Lights and Sounds, and Paper Walls were great albums as well. They unlike other great bands of the early and mid 90s never really lost their consistency and as music writers but still managed to wane out...a shame.

Yellowcard had a great run from 2002-2005 where they were one of the most popular bands out. It helped that they were in the period of maximum emo/pop-punk glory with New Found Glory, Simple Plan, and Yellowcard. Oh yeah, and they had a violin player, awesome.

Other great tracks off of Ocean Avenue, are "Way Away," "Empty Apartment," and "Only One," but really everything on it is a gem.

Also, as far as I know, it's still cool to like Yellowcard and won't get the "joke" treatment like a Limp Bizkit or Creed. So play away, enjoy!

Friday, March 8, 2013

When It Counts Album Review for 'The Same Old Story'


When It Counts is a local Staten Island pop/punk band consisting of Will Gallagher (vocals), Nick Trivolis (guitar/vocals), Jonathan Cutrona (guitar/vocals), Andrew Maino (bass/vocals), and Mike Maldarelli (drums).

Formerly known as Falling With Style, they released their debut EP, The Same Old Story in February of this year.

Listen to the EP below:




The EP kicks off with "Moving Up." Right away I know the sound, pop-punk, fast bass/snare hits, with quick guitar work mixed with some chugging. It picks up a little toward the end with a quick gang vocal and a slight breakdown. Good start!

"Hey Lance" uses more gang vocals and has a singlesque feel to it. I can envision a behind the scenes/live footage type music video where you see the band through various stages of playing and creating music. 

"Ignorance" is a little heavier as far as guitar tone, but has the same punky speed as the other songs. I like the small musical break about 1:10 in. It acts as a place holder to change pace in the song. The song flows as one continual piece of music with no distinct chorus, verse, or bridge. It's a nice feel in a short burst.

The longest song on the EP, "Late to Your Own Bonfire" really showcases what the band has to offer as far as diversity. The track features great harmonies and back and fourth vocals. The build toward the end where it slows down and then builds again is nicely done.

Closing out the album is "Take a Breath." This is probably the most musically dynamic track on the EP. It has a couple of instrumental parts that serve well between vocal parts. I love the almost classic music drop, gang vocal fade out to close. It was executed perfectly.

Overall When It Counts does a good job in their debut. They take a style that is well worn and add something fresh while reminding the listener of the early 2000s with bands like New Found Glory, MxPx, and early Brand New. Look at for these guys, the punk scene just got more crowded.




Thursday, December 13, 2012

Pete's Lost Luggage Interview with Jon Marotte



First and formost, explain the name Pete's Lost Luggage. Is there a great story?
Sadly no, I would love to say that there was some hysterical story behind the name but it’s actually kind of lame. Pete was in Italy for a month doing God knows what, and he put a status on Facebook which I comment on saying “if you don’t write lyrics while you are out there I hope you lose your luggage.” Then one of us suggested we should call ourselves Pete’s Lost Luggage, which we all thought was kind of funny. Mostly we felt having a silly name, embodied our attitude about the band. We aren’t taking ourselves too serious and we felt a silly name would be fitting. So far some people like it some people don’t but that’s just the nature of everything in life.

At the core, what is this band and what are you looking to do as musicians?
Have fun! That’s the first thing we all said when we put this band of misfits together. For the most part we are old (if you consider 25 old) Jon (me) is 25 and the oldest member. But we’ve all been playing in bands for years. I had my first band when I was 15, so 10 years I’ve been playing locally. I disappeared for a few years because I didn’t like the way the scene was going but we will get into that later... So this band from day one was just about us having fun, playing the music we love, and not giving a shit what anyone else thought. I’ve heard people ask
why I still listen to or want to play Punk when punk's been dead for years. My answer has always been because I love it, the music is emotional, it’s aggressive yet can be calming and uplifting. So many emotions can be fit into a two minute song, and of course most important it’s fun. I always felt metal and hardcore (and I listen to a lot of metal and hardcore) was always too serious. Music is supposed to be fun, it’s like anything else in life, there’s a time to be serious and there’s a time to be silly. Sometimes you can be both at the same time. But for the most part it’s just about having fun, playing the music I grew up loving and still love to this day.

How do you feel the current state of punk rock is in the mainstream and locally?
I can only speak for myself on this one. For me personally it sucks, mainstream has always sucked, you had that good time period when bands like Blink 182, Green Day, Brand New got airplay but even then only a small group of people actually liked it. And I prefer my bands not being on the radio and/or not being too popular because it makes it more personal if that makes any sense. Locally the scene seems like it’s getting better. Like I said earlier I left the scene probably around 2006/2007 after my old band Holdaway/A Class of Their Own split. I didn’t like the direction it was going in, it got too hardcore. The music was still good, even though I am more partial to punk, but there where some good bands, The Broken, A Dozen Dying Roses, That Hideous Strength (which actually for the most part was the same people I was in Holdaway with, just a different guitarist and singer) but all the good punk bands broke up for faded away. 

When I started to going to local shows there where some f***ing awesome bands, Melmac, Sydney, Big Wheel, Miracle of ’86, Ripping Christ from the Cross, those are the bands I loved going to see. I remember going and playing shows at Dock there would be 200+ people there, all different types of people and different genres of bands would play it was awesome. Then the hardcore scene took over, and like I said there were good bands but the people sucked. That whole “crew” fad happed, where there were different hardcore crews and they would fight each other at shows. Moshing and jumping around where replaced with beating people up instead. I never got into that. I had a good friend of mine jumped at a show because the band whose shirt he was wearing backed a different crew and the other kids didn’t like them so they f***king jumped him. And he was like the nicest dude ever. It just got stupid, now a days the scene seems like it’s improving, there some good younger bands, Wester, Everything Ever, Process of Fusion, we’ve played with these guys and I dig them. We just need more venues on the Island 10-12 years ago there was a lot more places to play, Dock St, The Wave, The Caves, Martini Red, The Lane. Now there is Full Cup and I guess Dock St still. But the crowds need to be better, seems the days of 200 people at a local show are over, now your lucky if you play to 25, most people come see their friends band and leave, it’s sad.

You guys are definitely influenced by a lot of great bands from the 90s and early 2000s. Who do you guys most wish to sound like and what is unique to YOU guys alone?
Again I can only speak for myself on this one, and I wouldn’t say we try to sound like them, more influenced by. For me I’d say Lagwagon, Strung Out, Brand New, and NUFAN, any of the Fat Wreck, Lookout or Epitaph bands. That’s my style. That’s who I steal from, I mean am influenced by the most.

Tell us about your EP and the process of recording?
The E.P. has four songs and they are all awesome (laughs). The process was fun, recording was always one of my personal favorite parts of being in a band, finally hearing the songs you’ve worked of for so long become tangible. And when they come out even better then you imagined it’s a great feeling. But we have to give a lot of the credit to our buddy Joe Dell’Aquila of Exeter Studios who did the recording. He’s awesome, he does a
great job and it’s a lot of fun recording there.

What song do you feel is really a standout, and is your new music going to be in the same vein?
As far as I am concerned "Steve! Look Out for that Stingray" is the best thing I’ve ever written. It’s fast it’s catchy, Pete wrote a great hook for the chorus, and not to boast but, the outro is a work of art! I love that song. In regards to future stuff, for the most part it will have the same feel but we do want to mess around, be versatile, try things. Who knows, maybe one day we will put out a funk album instead of punk!

Rumor has it that Pete has a history of falling on stage. Is it safe to say he has a"substance" problem like all "real" bands? 
No, he just has really bad balance, and it’s like the old Chinese proverb says “man with poor balance, fall down a lot.”

If you had to make an all-star lineup of punk bands to do a show with, who do you choose?
Lagwagon, Descendants, No Use For A Name, Strung Out, Brand New, Lawrence Arms, Wilhem Scream.

What's in the immediate future for the band?
Writing songs for a full-length album, we hope to be in the studio sometime early 2013, and playing shows, got any we can play?

Anything else to add?
I’m sure there is more I could say but I don’t feel like typing anymore.

Check out my album review of Pete's Lost Luggage 

Listen to their album here

Wednesday, November 28, 2012

Pete's Lost Luggage EP Review

Pete's Lost Luggage is a relatively new Staten Island band that brings back the sounds of one of my favorite era's of music, 2002-2005. There style is new school punk/angst filled dare I say emo punk. They sound a lot like a combination of New Found Glory, Brand New from Your Favorite Weapon and a little bit of Fall Out Boy circa Take this to Your Grave.

The band consists of:
Pete King - Vocals
Jon Marotte - Guitar
Carl LaPiedra - Bass
Chris Benne - Drums.

With that being said I absolutely love it! It's the sounds of my teenage years in High School all over. Little known secret, before I was a ravaging rap/rocker, I was actualyl a drummer/vocalist in punk bands for about six years. Ok, but enough about me, onto the EP cleverly titled, Greatest Hits Volume 3.

Photo by Four Walls Productions
The first track, "Don't Touch the Radio, It's Not Yours" kicks off like something straight out of NFG's earlier albums but adds a different dynamic with the small bursts of screaming. The prechorus resembles F.O.B. and the chorus sounds like Brand New, especially the way the music does the pause of the drums with the chugging guitars in between. It has everything in one song, and still sounds unique to them. A solid start to the EP.

Next up, "I'm High, Everything is Funny" is my least favorite track of the album, but that's not to say it's bad, just my personal taste. The best part of this song is the more aggressive layered vocals at the end. It almost creates a rallying cry and anthem, which is what punk is all about.

"Slow it Down to a Tempo of Faster" is quite simply put, awesome. The band was definitely not lying when they named this one as it's raw in your face punk reminiscent of early MxPx. Benne's drum playing is great on this track, and Pete's melodic yelling is on point as this is clearly a song of emotion.

The EP closes out with "Steve! Look Out for that Stingray" (and for the record it is not too soon for a Steve Irwin joke)... Again, this song starts out with a blast of guitars and drums. This is by far the longest track on the album clocking in at 4:00 minutes while the rest range from 1:30-3:00. I like the duel chorus vocals on this followed by the nice interlude/solo of the bass around the 1:50 marker.

Photo by Four Walls Productions
Overall, Greatest Hits Volume 3 hits the mark as a first EP. The songs are all very catchy and well written. The album's single is definitely "Don't Touch the Radio, It's Not Yours." The only possible gripe I can have with the album is the quality of recording, but then again it's a demo and I love it, it almost suits the sound and style.

One thing for sure is when they hit the studio to record a full length, they'll have a fan patiently waiting to be handed a copy.

Check them and their album out at http://www.reverbnation.com/peteslostluggage
http://www.facebook.com/PetesLostLuggage
https://twitter.com/RealLostLuggage

Monday, November 26, 2012

Radioactive Material Interview (Broken Records Festival)



 What was the experience of playing the concert like?
It's always awesome to play with a bunch of friends and familiar faces, but it's also great to play with new bands and meet new people. The fact that this show was so diverse was also a nice change of pace.

How do you feel about Broken Records Magazine, and why is a united Staten Island important?
It's pretty cool to see a magazine that promotes local bands like us along with more well known bands. Well, as Lincoln said, "A house divided against itself can't stand."

What would you like to see the festival grow to?
We would be stoked to see the festival become an annual event and grow to a point where venues like Killmeyer's and Dock Street wouldn't be able to host it.

What does Radioactive Material stand for?
It stands for giving off energy and sub-atomic particles. There are usually four types: alpha, beta, gamma and neutrons, but we're a new a found strain known as bamfs.

What is your hope for punk rock in today's music scene?
Our hope is that it could flourish as it used to in the old days when punk was a bit more accepted.

Who are some of your influences, and what makes you unique from those?
We all listen to a variety of music which makes our sound unique because we try and make our songs more uplifing and positive than any of our influences, some of which are the Ramones, Sum 41 and Blink-182.

Are you guys going to be working on an EP or album?
Our EP is actually already recorded and once the rest of our merch is made, we will have an official release show.

What are some of the long term plans for the band?
As far as the road can take us, and we mean that literally. We can't wait to go on tour.


What's one of the biggest problems faced when being in a band and why is it worth it to overcome them?
A bit** named Hurricane Sandy and we'll overcome this cause playing music is our dream. We want to get back on our feet asap.

Anything else to add?
Just thanks for letting us be a part of this and check us out on Facebook -  http://facebook.com/RadioactiveMaterial and you can listen to our music on soundcloud - http://soundcloud.com/radioactivematerial

Tuesday, August 7, 2012

Backslashes and Bad Ideas Album Review for 'Nothing Left to Give'


Backslashes and Bad Ideas are a pop-punk/post-hardcore band in vein of You're Favorite Weapon Brand New and Tell All Your Friends Taking Back Sunday with a dash of Fall Out Boy and Moving Mountains.

*At various points in time, and sometimes even all at once, they have extraordinary beards of lumberjackian (word?) proportions. 





The band, made up of musicians from different prominent or at once prominent Staten Island bands, found themselves a home together where they can showcase their assorted backgrounds.

The members:
Nick DePalo - vocals/guitar (formerly of Cobalt Sky and numerous side projects)
Josh Cronopulos - Guitar/background vocals (formerly It's Not Over)
Ed Mone - Drums (also bassist in When All Else Fails)
Nick Colella - Bass (also bassist in Heroes)

Now for the nitty gritty...the review.

These guys do a fantastic job of playing their style of music. It's easy to tell who they are inspired by (see above), and they do each one of those bands justice. DePalo's songwriting ability combined with his emotionally driven, distinct and clearly determined voice add a lot of power and passion to these songs. You can almost feel what was going on in his head as the songs play out like short narratives.

The first track, "London," is a Nick DePalo special and a former Cobalt Sky favorite. However, the 2012 updated version sounds much better than any previous recording, and Josh's background vocals add another layer to the song that makes it just right. Probably the most single worthy track of the EP because of its catchy chorus and uptempo pace. The song deals with love leaving, and learning to ultimately let them go.

"Thoughts Became Things," has a slower pace and that narrative feel previously talked about. "You say words can only complicate/I tried harder than you ever could," are repeated at different times during the song and prove to make this an anthem for young adults. While the lyrics are not particularly telling of what the song is about, the vagueness opens the listener up for a number of interpretations and scenarios. There is a lot happening in this song and the best part is it's up to you to find your own meaning. Within the context of the album however, it shows the struggle of lovers trying to work themselves out of the same old pattern of their relationship. Also, the chorus sounds chillingly spot on like Brand New.

The next track, "Nothing Left to Give," is a nice little divider of the album, and invokes its own little emotion in 55 seconds.

"What Would Craig Robinson Do?" doesn't answer this question or tell you of the hilarious things he does in movies, but rather pushes some of the things discussed in the previous song. "Trying harder" and "complicating things" now flips the script as far as who does what, "I tried harder than you ever knew" now becomes, "You try too much." It appears the protagonist is desperately trying to rectify his relationship, "Don't underestimate me." "Nothing Left to Give" is now a perfect space between how the vocalist was feeling and how he is feeling now. Nice transition whether intentional or not.

Rounding out the EP is "Phoenix with an F." The more "ballad" like song for Backslashes has the most going on lyrically and ends the album in a big way. It puts a cap on the unraveling tale of the relationship that developed in the four previous tracks.

New themes are introduced: forgiveness, responsibility, failure, honesty, and mistakes. This "character" seems to open his heart to allow their lover back in as a last ditch effort to salvage what is left, but at the same time agreeing that maybe leaving (to London perhaps?) might be the best thing for both. "And I can't make an honest girl of you/If you're out there living my dreams/And I can't take you on that stage with me /So I won't blame you if at any point you decide/It might be best to leave."

Great ending, and honestly wish there was more. A solid first effort for Backslashes and Bad Ideas who showcased a well recorded project with tight driven drums, catchy guitar riffs and hooks, and tempo throbbing bass. Maybe the review went too deep, maybe it's spot on, maybe everything is dead wrong. Listen for yourself and figure it out, and get a free download before they are gone.



http://www.facebook.com/Backslashes
http://backslashesandbadideas.tumblr.com/
http://www.youtube.com/user/Backslashes?feature=watch