Thursday, November 21, 2013

A Vegas Marriage Self-Titled EP Review

A Vegas Marriage is a three band from Staten Island consisting of Matthew Pelli on vocals/bass, Justin Imperatrice on guitar, and Vincent Rizzo on drums. They recently released their self-titled EP on September 20.



A Vegas Marriage kicks open their EP with the pounding sounds of "Don't You Ever." I couldn't think of a more perfect way to start the album. The driving guitars, steady pulse, and the accompanying drum beat light a fire in the listener. The vocal performance of this track is reminiscent to Dave Grohl as far as style, and the way it is sung, more so at the end.

"The Outside," is more melodic all around. It is a good change of pace from the first track, but still has the same feel and root as the previous. Call me crazy, but there is something about this song that makes me think of a Western themed music video with saloons and everything. Maybe keep that in mind guys…

"Breakthrough" is the slow ballad of the EP. It has a very 90s STP, Pearl Jam type feel, especially vocally. The vocalist has a great voice, and this is a track that really helps him showcase it. The harmonies add superb layers, and the guitar solo over the bridge fits so well.Towards the end of the track the song picks up and the vocals get belted out; nice touch.

The next track, "Something to See," dives right back into the heavier rock elements of AVM. This is probably the most rocking song on the album, as the vocals are stretched and the guitars are crunchier. I enjoyed a lot of the background vocals in this song, "ah-ahs" were a good touch behind the singing.

"Freight Train" again brings out some of the twang from "The Outside," and feels like some sort of epic train chase, hence the name. It is hard not to imagine the scene of events playing out in your head as this song plays through. Again, just another solid song, with a little more classic rock sensibilities than the others.

To close off the EP is, "Presence." The song opens up with strummed acoustic guitar work with light airy vocals. The chanted background vocals work well for this song and add more depth and dynamic to the song. Mid way through the song, and out bursts the electric guitar over the acoustic. It is a perfect spot and well executed until the end.

I agree with the acoustic jam closing out the album because it stands out from the rest of the tracks. A lot of bands choose to go with the power and energy to close out an album, but "Presence" does exactly what it is called, creates a presence to send AVM out.

All in all this EP is great! I have not seen A Vegas Marriage in a few years, and this EP shows me exactly what I've been missing as well as how much they have grown. The band takes an already well established sound and manages to put their own twist to it.  One moment they sound like Jet, at other times they are as aggressive as the Foo Fighters, and the next minute they rock out like Queens of the Stone Age. 

The band's next two shows are at the Cup on December 6th, and the 21st at Scout Hall.

Wednesday, November 20, 2013

Emergency Protocol Release Single 'Social Butterfly'

Emergency Protocol is a local Staten Island fusion band that blends many too many different styles to count! They recently released a single track called, "Social Butterfly."

The song changes up quite a bit from slow to fast, heavy and light, and even more technical. Musically the song is solid. The guitar solo at the end is great, and the airy almost haunting keys over certain points are fantastic.

The vocals go almost throughout the entire song, and have many parts to it between mostly two vocalists who take turns rapidly or come in together. At times, I feel the vocals are too much and it may take away from the music at at certain times, however, based one track it's hard to figure the dynamic.

I would love to hear a complete body of work from these guys and gal, and I am excited to see what Emergency Protocol can come up with next.

 Check out "Social Butterfly" below, and give them a LIKE on Facebook.



https://www.facebook.com/EmergencyProtocol

A Wake in Providence Release new Single 'Psycho'



One of Staten Island's biggest hardcore/metal bands, A Wake Providence, released a lyric video for their new single,"Psycho," which is off their upcoming EP Insidious. The track features Davis Rider of Immortalist lending screams to the song.

To put it simply, the song is brutal. It kicks you in the face, and then curb stomps you as you get up. It has all the heavy guttural noise AWIP is known for as well as the insane chug chug of the guitars, china ridden double bass breakdowns.

Thematically, the song is very dark as the American Psycho inspired song talks about becoming the monstrous thing they hate. The song look inward to failure and life choices that essentially self inflict pain and torture...you know, light stuff.

Listen to the song below:




Download the song here.

https://www.facebook.com/AWAKEINPROVIDENCENYC

Monday, November 11, 2013

Local Update - Backslashes and Bad Ideas and Antonio Yhap


Staten Island locals, Backslashes & Bad Ideas recently made their second appearance Absolutepunk.net. The popular punk site posted their new EP, There's No Place Like Home.

See the posting – http://absolutepunk.net/showthread.php?t=3525351


Check out local S.I. rapper, Antonio Yhap. He recently released a mixtape called, Maturation. Listen below.

Tuesday, November 5, 2013

Cody Miles Releases 'Figure You Out' and Open House Indie Horror Flick Needs YOUR Help

Cody Miles releases "Figure You Out (Featuring Heath McNeese)"

Check it out below!




Support Indie Film makers!

A former co-worker of mine, and Staten Islander, is out in L.A. making movies, cool right? He is about 75% done with his film, and could really use some help via donation to fund the rest of the film. Check out the Kickstarter project and all the cool perks - http://www.kickstarter.com/projects/292284710/open-house-1

Open House is a horror movie starring two kids who with their father move into a house with some peculiar things going on...

See Thomas Della Bella's film below.

Sunday, November 3, 2013

The Atlicic EP Review for 'Over the Atlantic'


The Atlicic are a local Staten Island indie/alternative band comprised of three guys and a girl. Indie/alternative is being modest as the band rocks through a number of well played genres throughout this six song EP, Over the Atlantic.

Ricky Boyance - Lead Guitar
Emilee Barrett - Rhythm Guitar/Vocals
Jason Seelal - Bass/Lead Vocals
Justin Caputo - Drums

Leading off the EP, "Intro" has an ominous feel and a great build up that seems to be coming to a head as it flows right into the next track.

"Can't Breathe," picks up right where the intro left off and hits the listener with a steady pulse of bass, tom hits, and intricate guitar work. It is a bit mellow but has a Incubus like feel to it both musically and vocally. From the jump, listening to this song prepares the listener for what is sure to be a short punch in the face of music.

"Let Me Go" rips right in with a super fast paced metal-esque riff, before settling into a more progressive/post hardcore part. The chorus then comes in suddenly, and its really punky. I am honestly having a hard time deciding what this song is as far as genre, because "really dope" does not cover it. This song does a great job at mixing up multiple influences.

Whatever Makes You Smile" brings the band back to halt, and layers on an Incubus Light Grenades style of music. The nice "Woo's" add a nice layer over the already great chorus. This song takes elements of every song on the EP and kind of jumbles them together into a solid mixture of what the band is. 

Next up is  "So Long" has a calming almost pop like beginning unto it transforms into a full out pop-punk fest off open high hats and fast riffs. This song would fit nicely on one of Yellowcard's albums post Ocean Avenue. "So Long" would make for a great radio single, and I could definitely see it as a sort of summer jam anthem.

Closing out the EP is "Running On Batteries." I love this song! The guitars and tone are excellent. The bass and drums really drive the song along, and the vocals are just so catchy. The chorus is fantastic, and honestly, I want to keep playing this track over and over. What an excellent way to close out the EP.

Over the Atlantic is very very impressive. It seems every album I review this year becomes my new favorite, but this one has a different feel to it. It has lasting power, and I can't wait to see what else these guys and gal come up with. 


Check them out on November 9th as they release their EP along with Backslashes and Bad Ideas. 

Follow them on Twitter and Facebook.

Saturday, November 2, 2013

Bella Muerte Release 'Guilty Pleasures, Desperate Measures'

Bella Muerte

Kansas City, Missouri electronic/post hardcore band Bella Muerte has been quite busy releasing a number of new tracks including their music video, "Guilty Pleasures, Desperate Measures" on Halloween.

Check out these songs!




Ice King Remix


Ice King (Original)


Download the song here.

Monday, October 28, 2013

Backslashes and Bad Ideas 'There's No Place Like Home' EP Review



Local Staten Island band, Backslashes and Bad Ideas, are gearing up to release their second EP, There's No Place Like Home, off of Harbor Records, November 9.

The band is:
Nick DePalo - Vocals/Guitar
Josh Crono - Vocals/Guitar
Ricky Abolt - Vocals/Guitar
Nick Colella - Bass
Ed Mone - Drums

With the musical stylings of post Tell All Your Friends, Taking Back Sunday and early Brand New, B&BI make the music of mid 2000s teenagers "mix CDs," but with updated flare for 2014.

"North By Noreaster" is a great intro instrumental track. It features nice acoustic guitar work, and a happy feel good bass line that eases the listener into what is sure to be something fantastic.


"Defend Josh's Life Choices," speak of the Devil, it's an ex-Taking Back Sunday member on a track! Fred Mascherino, former guitarist and secondary vocalist of TBS, makes an appearance on this track and fits perfectly. 

I am throughly impressed with this song for several reasons. 1) The song rocks. 2) B&BI have Fred "I've gotta bad feeling about this" on a track! 3) I prefer DePalo's vocal performance on this, and think he outshines the feature. Kudos Nick!

The next track is, "No Matter What Happens, Don't Ask Who." The opening is pretty cool because it is kind of mellow, but punky at the same time. Mone's double bass gallop throughout the song is most welcome, as is the guitars that weave in and out seamlessly.

This track has several different parts to it with the real highlight coming in the bridge over some guitar shredding and dual vocals.

"Conditions" follows, and is a perfect example of everything that is on this album. Depalo's smooth, calm vocals contrast nicely with Crono's more heavy and raspy background vocals…Then, just as you're ready to get to the end of the song, enter the female vocals!

The ending of the song is pretty awesome, three vocals going on, three distinct guitars going on, really strong start, and and even better ending to the song.


Following in vein of the last track, "Southern Tea" is an acoustic track that in its own way feels like a stripped down single reminiscent on something from Pop Goes Punk. I would love to hear this song with the full band just to gauge it. However, it is great as is!

Closing out the EP is "Wearing Thin." Shout out to Staten Island in this song! This is probably the most aggressive song of the album, and actually my favorite as well. Depalo and Crono showoff the throaty sing songy rasp scream, which makes this track all sorts of awesome. 

During the bridge Depalo speaks over a small musical break before gang vocals burst onto the scene and bring the EP home.

Backslashes again does a phenomenal job on this EP. Their sound has matured and evolved as well since the last release. The addition of the third guitar is evident as well. The drums are great, the strings are good all around, and the vocals stand up and stand out. The dual smack of DePalo's low with Crono's highs add a perfect dichotomy that this band needs.

The boys of Backslashes are making moves, and if their first EP was a step in the right direction, this one is a leap onto the highway. 

Keep up the good work fellas!





Pick up There's No Place Like Home November 9 at the Atlicic and Backslashes and Bad Ideas EP release show.

See B&BI's last review for their EP, Nothing Left to Give.

Dying Eyes of Sloth Reunion Show and New Music



Metal heads Dying Eyes of Sloth are back and reuniting November 17th after a few away in various projects such as Incognito Theory and InDisguise.

They re-released and remastered their 2010 EP, Book of Blood.


Listen to it and purchase it for $4 at - http://dyingeyesofsloth.bandcamp.com/


Also available are pre-sale tickets for the reunion show - http://dyingeyesofsloth.com/


Show info - Dying Eyes Of Sloth will be playing with "SIX FEET UNDER" and "JUNGLE ROT" at Dingbatz in Clifton, NJ. Advance tickets are $25 and $30 day of show.


All those who pre-order will be given a free download code for the EP as well as entered in to win a free t-shirt and physical EP.





Tuesday, October 22, 2013

Matthew West Brings to Light God's 'Chosen,' in Stories of Redemption, Love and Forgiveness (INTERVIEW)


Originally this article was for the Christian Post, read it here.

Matthew West, an artist known for his vivid storytelling and in-depth musical stories, chatted with The Christian Post to speak about his newest release, Into The Light: Life Stories & Live Songs.

After a series of life changing turns including a lost dream for baseball, an almost career-threatening guitar playing arm injury, and problems with his vocal chords; West has managed to find provision through God's favor and has pushed on.

Christian Post: Your newest release, Into The Light: Life Stories & Live Songs; why was it something you wanted to do as far as the CD/DVD combination?

Matthew West: Over the past few years, I've been on a mission to tell a story of a different kind. Instead of writing songs inspired by my own story, I have given people everywhere an invitation to tell me their stories and inspire my songs. Three years and 25,000 stories later, I have now recorded two projects inspired entirely by these peoples' stories. The live DVD was an opportunity to allow people to take these powerful stories home with them.

CP: Do you perform any of the songs differently live than you would on the album?

MW: Songs always take on a new form from the studio to the stage. There may be a song that is fully produced on the record that I decide to just play how I wrote it – with an acoustic guitar or piano. Some songs just translate better with a more intimate delivery, and others are received better by the crowd if the whole band is rocking. All in all, the show is like a roller coaster by design. I want it to rock a bit more than you'd expect from me, and still get just as personal and intimate as you might expect from a singer/songwriter.


CP: Can you please speak on some of the themes represented on the album, and how would you like people to come out of listening to the album?

MW: The overall theme of the record comes from 1 Peter 2:9. The scripture calls us a "chosen people." It says we are a "people belonging to God who called you out of the darkness into his wonderful light." The people who have inspired songs on this record are individuals who have bravely brought their story out of the darkness and into God's perfect light so that he might shine through them and bring hope to a hurting world.

There are stories of a broken marriage being restored, a victim of abuse who found God's healing in her broken past, a woman who learned the power of forgiveness from tragic drunk driving, and the stories go on and on. One by one, the common thread of God's redemption at work in peoples' lives comes through loud and clear.

CP: Do you think music is a good evangelism tool, why or why not?

MW: Music has a unique way of helping to unlock the doors of a heart and let that heart begin to feel again. Time and time again, I've seen how God uses music in someone's life who may never darken the door of a church, but will turn on a radio station or listen to a CD. God's voice is not limited to the confines of a church. With that said, I think it is important for Christian artists and songwriters to be mindful of the potential impact the music we make can have, and to make sure that the songs we write are real, authentic, and clearly communicate the message of the gospel.

CP: How hard was the decision to pick music over baseball and how do you think your life would be different if you chose the other way?


MW: That decision was made for me! I couldn't hit a curve ball and I didn't get one single scholarship offer. God used that experience though, to remind me that His plan for my life is ultimately better than any plan I could come up with on my own. I've learned that even if it looks different than we might have planned it, ultimately there is no better or more fulfilling place we could be than the center of God's will for each of us.

CP: How important do you think it is to find God's calling on your life and stick it through?

MW: It is essential. John 10:10 assures us that God has come to give us life to the fullest. But sadly, many of us miss out on a full life because we never fully surrender to God's dream for us.

CP: How have you evolved as an artist since your first release, and is there anything you wish you have done differently over the years?

MW: Well, I hope I've evolved for the better; better songwriting, better singing, more effective communicator from the stage. But more importantly than that, I do feel like I have greater clarity as to why I do what I do, and I don't take lightly the fact that this is not some singing career. This is a ministry. Every song and every show is an opportunity to tell someone about the God that can change his or her life. I'm more mindful of that now than ever. I have even started a non-profit ministry with my dad that offers prayer and counseling to people online and at my shows so that each person gets the chance to grow deeper in their faith and to know they are not alone.

CP: You've written songs for a number of artists. Who was your favorite to work with, and how do you approach writing a song for someone else?

MW: Writing with and for other artists requires an entirely different mindset than when I'm writing for my own projects. I just sort of switch thinking caps, and my whole focus is how to serve that artist and their platform. With Casting Crowns, Mark Hall knows exactly what God has laid on his heart to communicate. I'm just there for musical purposes and maybe some lyrical perspective.
Sometimes, it's about getting out of the way and being an encourager when needed. Songwriting can be a painfully isolated process. Many times, we don't need a co-writer to get the song written, we just need a cheerleader! Someone handing us a cup of water and cheering us on to the finish line. Sometimes I feel like that when I'm writing with another artist. Whatever role I need to be in, I try to ebb and flow to help the process and not hinder it.

CP: Anything else to add?

MW: My new book is called "Forgiveness: Doing the Impossible." Thomas Nelson was kind enough to let me write it, and this is another way people can experience some of the stories that I have read over the past few years. I hope people will check it out and be encouraged by it.




West has five albums since 2003, and has been nominated for eight Dove Awards, winning once for his 2003 album, Happy.

He is currently out on the Into the Light Tour with Jason Castro and Sidewalk Prophets.