Monday, October 28, 2013

Backslashes and Bad Ideas 'There's No Place Like Home' EP Review



Local Staten Island band, Backslashes and Bad Ideas, are gearing up to release their second EP, There's No Place Like Home, off of Harbor Records, November 9.

The band is:
Nick DePalo - Vocals/Guitar
Josh Crono - Vocals/Guitar
Ricky Abolt - Vocals/Guitar
Nick Colella - Bass
Ed Mone - Drums

With the musical stylings of post Tell All Your Friends, Taking Back Sunday and early Brand New, B&BI make the music of mid 2000s teenagers "mix CDs," but with updated flare for 2014.

"North By Noreaster" is a great intro instrumental track. It features nice acoustic guitar work, and a happy feel good bass line that eases the listener into what is sure to be something fantastic.


"Defend Josh's Life Choices," speak of the Devil, it's an ex-Taking Back Sunday member on a track! Fred Mascherino, former guitarist and secondary vocalist of TBS, makes an appearance on this track and fits perfectly. 

I am throughly impressed with this song for several reasons. 1) The song rocks. 2) B&BI have Fred "I've gotta bad feeling about this" on a track! 3) I prefer DePalo's vocal performance on this, and think he outshines the feature. Kudos Nick!

The next track is, "No Matter What Happens, Don't Ask Who." The opening is pretty cool because it is kind of mellow, but punky at the same time. Mone's double bass gallop throughout the song is most welcome, as is the guitars that weave in and out seamlessly.

This track has several different parts to it with the real highlight coming in the bridge over some guitar shredding and dual vocals.

"Conditions" follows, and is a perfect example of everything that is on this album. Depalo's smooth, calm vocals contrast nicely with Crono's more heavy and raspy background vocals…Then, just as you're ready to get to the end of the song, enter the female vocals!

The ending of the song is pretty awesome, three vocals going on, three distinct guitars going on, really strong start, and and even better ending to the song.


Following in vein of the last track, "Southern Tea" is an acoustic track that in its own way feels like a stripped down single reminiscent on something from Pop Goes Punk. I would love to hear this song with the full band just to gauge it. However, it is great as is!

Closing out the EP is "Wearing Thin." Shout out to Staten Island in this song! This is probably the most aggressive song of the album, and actually my favorite as well. Depalo and Crono showoff the throaty sing songy rasp scream, which makes this track all sorts of awesome. 

During the bridge Depalo speaks over a small musical break before gang vocals burst onto the scene and bring the EP home.

Backslashes again does a phenomenal job on this EP. Their sound has matured and evolved as well since the last release. The addition of the third guitar is evident as well. The drums are great, the strings are good all around, and the vocals stand up and stand out. The dual smack of DePalo's low with Crono's highs add a perfect dichotomy that this band needs.

The boys of Backslashes are making moves, and if their first EP was a step in the right direction, this one is a leap onto the highway. 

Keep up the good work fellas!





Pick up There's No Place Like Home November 9 at the Atlicic and Backslashes and Bad Ideas EP release show.

See B&BI's last review for their EP, Nothing Left to Give.

Dying Eyes of Sloth Reunion Show and New Music



Metal heads Dying Eyes of Sloth are back and reuniting November 17th after a few away in various projects such as Incognito Theory and InDisguise.

They re-released and remastered their 2010 EP, Book of Blood.


Listen to it and purchase it for $4 at - http://dyingeyesofsloth.bandcamp.com/


Also available are pre-sale tickets for the reunion show - http://dyingeyesofsloth.com/


Show info - Dying Eyes Of Sloth will be playing with "SIX FEET UNDER" and "JUNGLE ROT" at Dingbatz in Clifton, NJ. Advance tickets are $25 and $30 day of show.


All those who pre-order will be given a free download code for the EP as well as entered in to win a free t-shirt and physical EP.





Tuesday, October 22, 2013

Matthew West Brings to Light God's 'Chosen,' in Stories of Redemption, Love and Forgiveness (INTERVIEW)


Originally this article was for the Christian Post, read it here.

Matthew West, an artist known for his vivid storytelling and in-depth musical stories, chatted with The Christian Post to speak about his newest release, Into The Light: Life Stories & Live Songs.

After a series of life changing turns including a lost dream for baseball, an almost career-threatening guitar playing arm injury, and problems with his vocal chords; West has managed to find provision through God's favor and has pushed on.

Christian Post: Your newest release, Into The Light: Life Stories & Live Songs; why was it something you wanted to do as far as the CD/DVD combination?

Matthew West: Over the past few years, I've been on a mission to tell a story of a different kind. Instead of writing songs inspired by my own story, I have given people everywhere an invitation to tell me their stories and inspire my songs. Three years and 25,000 stories later, I have now recorded two projects inspired entirely by these peoples' stories. The live DVD was an opportunity to allow people to take these powerful stories home with them.

CP: Do you perform any of the songs differently live than you would on the album?

MW: Songs always take on a new form from the studio to the stage. There may be a song that is fully produced on the record that I decide to just play how I wrote it – with an acoustic guitar or piano. Some songs just translate better with a more intimate delivery, and others are received better by the crowd if the whole band is rocking. All in all, the show is like a roller coaster by design. I want it to rock a bit more than you'd expect from me, and still get just as personal and intimate as you might expect from a singer/songwriter.


CP: Can you please speak on some of the themes represented on the album, and how would you like people to come out of listening to the album?

MW: The overall theme of the record comes from 1 Peter 2:9. The scripture calls us a "chosen people." It says we are a "people belonging to God who called you out of the darkness into his wonderful light." The people who have inspired songs on this record are individuals who have bravely brought their story out of the darkness and into God's perfect light so that he might shine through them and bring hope to a hurting world.

There are stories of a broken marriage being restored, a victim of abuse who found God's healing in her broken past, a woman who learned the power of forgiveness from tragic drunk driving, and the stories go on and on. One by one, the common thread of God's redemption at work in peoples' lives comes through loud and clear.

CP: Do you think music is a good evangelism tool, why or why not?

MW: Music has a unique way of helping to unlock the doors of a heart and let that heart begin to feel again. Time and time again, I've seen how God uses music in someone's life who may never darken the door of a church, but will turn on a radio station or listen to a CD. God's voice is not limited to the confines of a church. With that said, I think it is important for Christian artists and songwriters to be mindful of the potential impact the music we make can have, and to make sure that the songs we write are real, authentic, and clearly communicate the message of the gospel.

CP: How hard was the decision to pick music over baseball and how do you think your life would be different if you chose the other way?


MW: That decision was made for me! I couldn't hit a curve ball and I didn't get one single scholarship offer. God used that experience though, to remind me that His plan for my life is ultimately better than any plan I could come up with on my own. I've learned that even if it looks different than we might have planned it, ultimately there is no better or more fulfilling place we could be than the center of God's will for each of us.

CP: How important do you think it is to find God's calling on your life and stick it through?

MW: It is essential. John 10:10 assures us that God has come to give us life to the fullest. But sadly, many of us miss out on a full life because we never fully surrender to God's dream for us.

CP: How have you evolved as an artist since your first release, and is there anything you wish you have done differently over the years?

MW: Well, I hope I've evolved for the better; better songwriting, better singing, more effective communicator from the stage. But more importantly than that, I do feel like I have greater clarity as to why I do what I do, and I don't take lightly the fact that this is not some singing career. This is a ministry. Every song and every show is an opportunity to tell someone about the God that can change his or her life. I'm more mindful of that now than ever. I have even started a non-profit ministry with my dad that offers prayer and counseling to people online and at my shows so that each person gets the chance to grow deeper in their faith and to know they are not alone.

CP: You've written songs for a number of artists. Who was your favorite to work with, and how do you approach writing a song for someone else?

MW: Writing with and for other artists requires an entirely different mindset than when I'm writing for my own projects. I just sort of switch thinking caps, and my whole focus is how to serve that artist and their platform. With Casting Crowns, Mark Hall knows exactly what God has laid on his heart to communicate. I'm just there for musical purposes and maybe some lyrical perspective.
Sometimes, it's about getting out of the way and being an encourager when needed. Songwriting can be a painfully isolated process. Many times, we don't need a co-writer to get the song written, we just need a cheerleader! Someone handing us a cup of water and cheering us on to the finish line. Sometimes I feel like that when I'm writing with another artist. Whatever role I need to be in, I try to ebb and flow to help the process and not hinder it.

CP: Anything else to add?

MW: My new book is called "Forgiveness: Doing the Impossible." Thomas Nelson was kind enough to let me write it, and this is another way people can experience some of the stories that I have read over the past few years. I hope people will check it out and be encouraged by it.




West has five albums since 2003, and has been nominated for eight Dove Awards, winning once for his 2003 album, Happy.

He is currently out on the Into the Light Tour with Jason Castro and Sidewalk Prophets.



Monday, October 14, 2013

Former Superchick Frontwoman Tricia on Family, Going Solo and Real Beauty


This original interview was done of the Christian Post. Read it here.

Tricia, the former frontwoman of Christian pop-punk band Superchick, released her second solo album, Radiate, in August and just finished up a tour in support of it.

Tricia chatted with CP in an email interview and spoke about her views on being a role model, transitioning from rock to pop, healthy self-image and being a mom.


From punky rockstar to pop star. Is it tough musically to write for yourself as a solo artist than as a band, and how did you transition into the style of music you are doing now? 
The whole transition has been harder than I imagined it would be. I was used to writing as a band, and in Superchick, Max was the main writer. Being solo has stretched me, but I'm becoming a better writer. I'm not really even sure how we came into this sound. It's definitely more pop than a lot of Superchick albums. We knew going into it that's what we had planned. I guess albums tend to be reflective of the season we're in. We had just had our little girl (our first) and I think it was a happy, pop music season! 

How is Radiate different from The Road, and do you feel you have progressed as an artist since your first release?
As different as they can be! I had always hoped to record a worship album. It was kind of how I found my voice in worship as a kid. So that was a really special thing for me to do all around. My dad, sister and husband all sang on the album with me and I'm so proud of those songs because they were from our heart. I definitely think Nick and I are constantly learning as writers and him as a producer. I'm learning what I love to sing live; that's always important to me to – loving the songs that I sing live!

What's it like working with your husband on the album as far as the writing and production work?
We had to learn how to communicate, how to work and not take things personally. You have to be honest and try to be perfectionists, so that was the hardest part, I think. And sometimes the fact that our studio is here in our house, it's hard for us to walk away from it like a normal job. 

What are the themes of your album, and what overall message are you trying to convey?
God’s faithfulness, self-image, being an individual, dependence on God, acceptance of who I am and where God has me in this moment, choosing to be grateful for the good every day, choosing joy today no matter the circumstances around us and the list goes on!

In August Superchick announced their breakup. Was this a necessary step towards the future for your development to move forward as an artist, or more of "the right time?"
It was definitely the right time. When our drummer Chase passed away, I think we felt like there needed to be a goodbye and kind of an explanation to our fans. After 15 years there is such a relationship with fans and radio teams and everyone who's a part of your career. We didn't want there to be rumors or have it be anything it wasn't to our fans. It definitely helped our fans understand why I was going out on my own and that I hadn't broken up the band to do my own thing. 

Do you perform any Superchick material in your sets, and do you see possible reunions in the future?
Yes, I play a few of the favorites in my full sets! These songs have never gotten old to me and I still love that I was a part of something so special for so many years. I still hear stories of how our songs helped someone through a season when they were broken or hopeless. I love that songs are sort of a legacy and they will go on long after bands stop touring. 

I keep saying that I wouldn't be surprised if the chance came to tour together again one day, and I would be the first to sign up! I look back at the time with Superchick and feel so blessed by God choosing us and letting us travel the world and be a part of something really special as well as becoming family in the process. For me to have been able to do this with my sister, no words can describe how much fun we had together!! 

How important do you feel it is to be an example to young woman as someone with a platform to do so?
I believe that we all are leaders and each one of us chooses whether we will take that role seriously. But I do think we are accountable with what we do with our positions of leadership in life. I love that I have a chance to speak into girls’ lives! I remember vividly what high school years were like. I remember struggles and fears and insecurities and I want to be an example of a strong, courageous woman who is willing to be vulnerable about my faults and my struggles. Trying to appear perfect just doesn't work and it's exhausting. 

What would you say to girls who try to be the embodiment of perfection because of what they see in magazines, TV, etc?
My song “Mirror Mirror” really says a lot of how I feel. It angers me that the way beauty is portrayed is almost that it's the beautiful, "perfect" people who are happy. That happiness or wealth is a result of outward looks. There is not such thing as “perfect” and beauty is so much more than our reflection. I had people who really spoke those truths into me as a teenager and it helped me re-focus when I would start to obsess with how I looked and to think that who I am is just my reflection.

Do you feel music is a great tool for evangelism and why?
Music seems to be able to speak to people in a way just words can't. I know God uses it at just the perfect times in our lives to heal and encourage us. I love to be a part of that in someone's life! I get to meet people who were strangers and they share their heart and their stories of awful times in life and that I was a part of healing for them. I am so humbled by it and I love how it connects us as people from all over the world.

What would you like God to say to you about your career when it is all said and done?
I imagine what we all want to hear – “well done, my good and faithful servant!” I'm sure my heart hasn't been right every moment of every day, but when I pause and have God moments I know in my heart why I have stayed in this ministry for this long and still don't feel like God has moved me yet. I love to be a part of changing people's lives. Of making someone smile when they haven't for so long. Thinking that my songs can reach someone I haven't and may never meet, such a gift! 

What's in the immediate future for Tricia?
I just did a month of touring this record and had such a great time! This winter I am mostly home being a wife and mom. And at this point, we just pray that these songs start to connect with people. Next year the plan is to tour as much as we can! We will just keep writing in our down seasons and we will see where God takes us this year. I've gotten kind of used to a lot of working and then trusting and waiting in this career. We can only do our best and then see what happens and what doors open. 



Wednesday, October 9, 2013

Sara Groves Interview 'Seek Out Things that are Inspiring, Whole, and Noble'

This is an original interview I did for the Christian Post. Read the original post here.

Christian singer/songwriter Sara Groves is releasing a compilation album on Sept. 17 called The Collection, which will highlight what she feels is the best music of her 15-year 10-album career.

Groves exclusively debuted her first promotional performance video, "All Right Here" on the Christian Post two weeks ago, and now has answered a few questions about her upcoming album, her life right now, and her thoughts about her career s a whole.

Christian Post: You are releasing The Collection on the 17th. Why did you feel it was the appropriate time to put together this album, and will it differ from the standard versions of them?

Sara Groves: We hit ten records and fifteen years on the road I thought it was a good time to reflect back and celebrate that time. I won't claim that it is much different from other best-of albums, but we did work to assemble the list ourselves, so it is not just a list generated by our label; it was lovingly assembled! And then there are four new songs on the record.

CP: Why did you choose for the first video to be "All Right Here" and do you think these live performance videos offer a different side of you?

SG: "All Right Here" basically says that my life is a collection of all of the experiences that have happened to me, so it seemed fitting to feature that song in a stripped down version. I have always loved singing, "every heart has so much history/ that's my favorite place to start / sit down a while and share your narrative with me / I'm not afraid of who you are."

CP: When played in the order you have the songs, do you feel the music carries a theme or flows in a different way than they did apart?

SG: Yes, I think with this collection you see themes emerge. Some of my most visited topics would have to be marriage, our role in social justice, the integration of faith into our everyday lives, the intimacy of a walk with God, and letting grace abound!

CP: How have you grown or changed as an artist since releasing your first album?

SG: Well, I've just gotten older! That has brought children, and now a teenager even, and life change – but I think my goals for myself have changed a great deal. I feel a real desire for simplicity, and to lean into the things that I am made to do and be. I feel in my gut a desire to make a record that really takes it out of me, to write something that goes beyond my ability. I have always written from a very emotional place. The craft of songwriting has always been a secondary thought. But when I read good literature, and hear good songs, I see a lack of self- consciousness by the author that I have not yet attained. I have been moving in that direction, but I wonder what that would be like for a whole album.

CP: How do you feel the four brand new songs hold up against some of your best work?

SG: Yeah, it was hard to write songs to put on a 'best-of' collection. I decided to think reminiscently instead about those 15 years. We have lived on the road for a decade and a half on the kindness of strangers – that felt like a good complimentary theme. "Blessed Be the Tie" is one of the only hymns written about Christian community and also felt like a good fit to our journey with other artists, and with the people listening to the music. "Strangely Ready" is also a fit for that place of reflection and vision – I don't know where I'm headed, but I feel a strange preparedness for what comes next in this spot in St. Paul that God has led us to. "Lay it Down" rounds out these same ideas – our struggles are common to all men, so don't go it alone.

CP: Now that you have the greatest hits out of the way, what is next for you, and can you see yourself going another 15 years or so?

SG: I hope to take some very intentional time in making my next record. I feel something inside that I don't have language for and I sense a real challenge in getting it right. Aside from that, Troy and I are still enjoying our work with Art House North in St. Paul, MN and plan on bringing more thoughtful people to the Twin Cities. I haven't ever followed a big career plan. I will keep making music, and if people keep listening, that's great. And if they don't, I will probably still be playing and writing anyway.

CP: Do you think music is a good tool for the gospel? Why or why not?

SG: I will say yes, but with a caveat by Charlie Peacock who once said – "the Gospel is the ocean, and we keep writing about a cup of water." We could also have a longer conversation about music as tool, where I would heavily quote Makoto Fujimura's thoughts on art as utility!

CP: What would you say to young girls or teens whose only role model for a woman is what they see on television?

SG: I think I can't fill voids by talking about what is missing – I have to seek out things that are inspiring, whole, noble, excellent, praiseworthy and expose my kids to those things. Then they are drawn to what is, instead of standing at the edges of this chasm that I have created by telling them what everything isn't.

CP: After all these years playing music, does the purpose and focus of creating music ever waiver or change?

SG: Sure. I go through seasons of great frustration and doubt, and then ride the euphoric waves of creativity and vision again! But the role that music plays in my life hasn't changed much – this is how I sort out my life.



Groves released her first album, Past the Wishing, in 1998, and earned an Album of the Year title for 2005's Add to the Beauty by CCM Magazine. She has three Dove Award nominations and had a contribution to the book, The Art of Being, in 2004.

Monday, September 30, 2013

Sanctus Real Interview with Mark Graalman


This is interview was originally done for The Christian Post. Read the original article here.

Christian rock band Sanctus Real has been pumping out heartfelt powerful music since they got signed in 2002, and now with their latest release, Run, they are ready to show the rest of the world what they are doing.

Founding member and drummer Mark Graalman was able to chat with the Christian Post about the new record, multiple tours, Dove Awards, the future, and hitting the studio.

The band just embarked on The Run Tour last week, which will run until November. Graalman said this tour is perhaps the most ambitious for the band because they will be incorporating a lot of different functions into the show. Ultimately it will be a unique fan experience.

"We come up with ideas on how we want the show to look. We set up at a rehearsal warehouse type place in Nashville. We bust through three days of rehearsal and make any changes in the set list we want to make," he said. "It's going to be a really different show for us … particularly in the area of audience participation. How do we make the audience literally a part of the show? … I'll just say people need to have their drumming skills brushed up on."

Sanctus Real says the album title of Run does not necessarily mean they are running from anything, but rather running forward and on to the future. The other meaning could be running to God as well, but there is no sense of running for escape.

When asked about the symbolism of the circles on the album cover having to do with the theme of running, Graalman said, "[The] circles look like they are chasing each other. It just felt like run to us," before explaining the cover was one of almost 20 that was offered to them. A woman named Sarah came up with the designs for the band, and the abstract circles were what they felt was best for the record.

Going with the second theory of the title Run, Graalman traces music back to God and our constant pursuit of Him.

"Music is the most powerful way to express any kind of message. I think music was created by God as a gift to us. A sort of language to use as a way to get back to him. Throughout the scriptures music was mainly used to worship God with. It's meant to bring him glory," he said before explaining he feels making music is a human's way of reconnecting with the Father.

Sanctus Real recently released their video for the track "Run," and Graalman said although the video was simple, they were looking more to make an impact on the listener, rather than have an elaborate sequence of events.

"We'd prefer to have some sort of storyline going with it. Tricky part is coming up with a storyline and then executing it. The goal … getting the message of the song to be as impactful as it can be and just hit
that place in the heart we're trying to hit," he said.

The new album has also been nominated for a Dove Award. The band previously won in 2005, but things were very different back then. Sanctus Real had different members, a different sound, and their heads were in a different place.

"Obvious changes have been lineup changes. Matt, Chris, and I are the founding members. New bass player, added a fifth member. It's technically a different band in that record. We've grown a lot in our singing, and just trying to say what we want to say," he said, including that they are just trying to make art, and not hold themselves so high. "We were grungier when we were younger, and def have been all over the map since then. [We've] been able to experiment musically over the years."

Graalman said the band has been in a constant evolution in sound and in growth and maturity.

"When you're a young band everything is new and fresh. You can't help but evolve. Put out a record and do all these tours 200 days a year, and you are in this writing space and recording music. So you are constantly playing music, and eventually you just get better at what you do. You get a lot more practice and hours under your belt. Another big thing that changes is musical influences as you start to grow up. I certainly don't listen to the same stuff when I was 18 when the band started and now at 35.
What you want to hear plays a big part for what you want to hear. People could hear us grow up."



Graalman says the band approaches song writing in generally two ways. Sometimes the band just gets together and jams out on one guitar riff and everyone adds a part.

"Matt (singer) will hear melodies vocally and just sing along to it, and for whatever reason that turns into lyrics. Themes pop into his head of what this music sounds like and what it's trying to say. Then he starts writing lyrics to what we're doing," he said.

In other occasions, Graalman said Mark Hammit will come to them with things he wrote at home. They have also worked sessions with a few other songwriters in Nashville.

He even hinted that Sanctus Real would be back in the studio after a winter tour to start a record in January.

"We'll go a week at a time and record three or four songs at a time and take a break. Always writing throughout. Hopefully by next spring or summer we'll have a new record ready to go," he said.

When asked how the band has anytime to write with such an extensive touring schedule, he said they are "really intentional with time." Between balancing life, and being married with children, they prioritize family over the band.

"Rock n' roll won't be there when it's all said and done-- family will," he explained.

Lastly, Graalman wants Sanctus Real fans to know about Compassion International. The band had always talked about joining the organization to see what impoverished kids live like around the world, and they were given that opportunity this year.

Hammit and Graalman went to El Salvador and met children they were sponsoring, and got to see what life is in third world country.

"It's a hard experience to see that there really are people who live like that … very eye opening. Puts your priorities in a better place," Graalman admitted.

He said his bandmate Hammit said it best, "It's help me so much to be able to see who we are fighting for."

Catch Sanctus Real on tour this fall and check out Run on iTunes.


Sunday, September 29, 2013

Dustin Kensrue Interview on Songwriting 'The Water and Blood'


This article was written for the Christian Post. It was a part two for an interview I conducted two weeks ago. Check out the original here. 
Dustin Kensrue recently chatted with The Christian Post about his debut worship album The Water & Blood, and about being a Worship Pastor for Mars Hill Church after 14 years with hardcore-experimental band Thrice.

Read the first part of the interview where Dustin exclusively speaks on the new album and his transition to worship leader here.

Kensrue broke down the way he approaches music writing and how he distinguishes between writing worship, writing for himself, and writing for Thrice. For him, music is poetry, and the musician admitted his love for reading is the perfect place to get "fodder" for his lyrics.

When asked about how he approaches his song writing, he spoke of a process that is strict in detail and perfection.

"The way I write is very much focuses on whatever that song is has to be what that song needs to be," he said, speaking about the differences between writing for Thrice and writing worship for church.

"I really try to let it have an internal harmony and consistency. Especially in the last 7 or 8 years I've been really writing letting the music even inform the lyrics as I'm writing and that really shapes the music. There are times I've had this idea and as I'm building ... I either have to push the lyrics one way or the music one way. A lot of it is I like to read a lot. A lot of times that stuff is not even conscience.
It's like you're building a pallet," he continued.

Between 2006 and 2008, Thrice put out four EPs combined into two albums based on the Earth's elements: Fire and Water, Earth and Air. These were compiled into The Alchemy Index I-IV.

Every song from each of the elements contained songs that either had to do with the element thematically, or had the tone of what it would sound like in music. For example, the Fire album was very heavy, while the Water album was very dissonant and effected, and actually had songs about the ocean. Earth was very soulful and folk rock like, and featured beautiful acoustic and piano-driven songs. Air was, for lack of a better word, "airy," and powerful musically. Most of the songs had to do with flight.

Even more amazing was the format of the last track of each of the EPs.

The final song on each disc is written in the form of a sonnet, depicting the relationship of man with each of the particular elements. Each of these songs is in iambic pentameter, with a concluding rhyming couplet. These final couplets also contain the same vocal melody and chord progression as each other, although they are in different keys.
The "Water & Blood" will be released October 1.

"That's the beauty of structured poetry. Constraints foster creativity. They are an awesome first person perspective of the elements. Those were a lot of fun for me, and putting this constraints on myself," Kensrue said as those albums fostered a change in style and direction for the band that set the tone for later work.

He concluded the interview with giving fans some hope for whether there is a future for Thrice or not.

"There's definitely a future for Thrice I just have no idea what it looks like or when it looks like. I think it'll definitely be a couple of years before it even begins to make sense. I look forward to the day in whatever form we start doing stuff together again," he explained. "There's just so many factors, I can't say with any certainty or what that looks like. I love playing with those guys, and it would be a blast to do it again and it will be extra fun having had time away from it because 14 years straight is pretty intense."

The Water & Blood will be released Oct. 1 off of Mars Hill Music/BEC Recordings.


Friday, September 27, 2013

Hello, Seattle Album Review for 'Improper Greeting'


Hailing from Long Island and Oneonta, NY, Hello, Seattle just released their debut album, Improper Greeting. 

This female fronted group consisting of: Kimberly Berg (singer), Amy Maxwell (guitar), Frank Cicciarello (bass), Andrew Platt (drummer), and Jason Psanis (pianist), blew me away with some great alternative/awesomeness music.

The opening track, "Let Go," is a brief intro into the musical stylings of Hello, Seattle. The singer comes in about midway through and sings the name of the track over and over – powerful start.

"Camouflage" has a very familiar tone to it. I think the chords sound a bit like Cute Without the E by Taking Back Sunday, except this track adds piano and gives the song more of upbeat dance like feel to it before slowing down and changing tone. Berg's vocals are great on this.

"Broken Glass" is a bit heavier than the previous track and the singer is more aggressive to match. The song features killer piano that drives the song.

The next track, "The Divide" is an acoustic ballad. Her voice takes a lovely folky catchy tone to it. I love the harmonies and the airiness to the vocals. The subtle keys that come are wonderful, and then quickly followed with the rest of the band coming in. Almost as subtle as the piano is some really good bass work.

"Fire Eyes" prepares the listener for a quick tempo fun song right from the chattering hi-hats in the beginning of the track. The chorus is especially strong, and at times she sounds like a more indie rock version of Hayley Williams. The music over the bridge is great, the whole band comes together so well.

"Peter Pan" is another acoustic track featuring piano. I really dig the vocals and words in this song. It's a good concept, and simply puts the feelings of many people into something that is easy and relatable. 

A slick bass line and an even better drum beat open this song. "Ghost In a Common Place," instrumentally, is my favorite track. You really hear their talent on this track. The song features a much different bridge then the others. I really feel the creativity is at a max here. The layering of the vocals with the effects, the drop out, and then guitar solo. Just really a brilliant song.

"The Cure" has prominent bass playing by Cicciarello, and continues the overall feel of the album. In my opinion this song does not resonate with me as much as the others, but it is still solid.

This next track sort of opens up like "Fire Eyes" with quick hi-hats hits and rhythms, but the overall feel is totally different. "Horizon" makes you feel like you are on the run and as I'm writing Berg began singing, "I'm already moving," so maybe I got the point! This song could definitely be a single, and I can also hear it as part of a soundtrack for a movie.

"Strides" is up next, and follows a sort of bluesy tone to it in the beginning. It is probably the most different of the tracks on the album, and has differing parts. Perhaps my biggest gripe on the whole album is that this song is only about two minutes long! I want more!

Closing out the album in "Leaving." It sort of has a march to it in the chorus. It is super catchy and mixes a few different styles on it. I love the string work on this song, and Berg sings with such passion here. It is the perfect closing song for an album because it sounds like the closer of a set. Well done on this track.

Hello, Seattle is super tight! Everyone in the band is on point and they definitely play well together and are comfortable writing together. Piano, bass, guitars, drums all hit the nail on the head with consistency and pin point fluidness. Maxwell is a great lyric writer, and knows how to engross the listener. Berg has a bit of Hayley and a bit of Avril, but yet is able to find her own voice among the comparisons to really deliver on all the songs.

Improper Greeting is a wonderful first step into music for this band, and as I told the bass player, I had no sort of idea of what the band sounded like coming in, and boy was I impressed!

Check them out at - 
www.wix.com/helloseattlemusicny/home


Thursday, September 26, 2013

Signal For Pilot Album Review for 'Man Eating Shark'

Signal For Pilot is a band like I have never heard before, and upon checking them out, you'll probably agree too! The band considers themselves to be, Alternative Rock/Indie Electro-Pop Core, but I'm sure you can find your own mix of sounds in their too. Their newest release Man Eating Shark, is an excellent foray into a musical journey from these Long Island rockers.

The band consists of: 
Chris 'Jaws'- Drums, Percussion, Vocals
Patrick Flanagan- Guitar, Vocals, Electronics
Scotty 'Tru' Truelson- Keyboards, Synth, Vocals
Keith Smith- Bass, Vocals

The album opens up with "Dangerous Waters," and from the get go I like what I am hearing. The song is super catchy and poppy, and has a good blend of synthy effected chords with heavy guitar riffs. I really love the synth at the end of this song! This song is definitely a single.

"Nosferatu" is for lack of a better word, a cool track. Musically, it feels themed, all most theater like as it is telling a story. Plus, who doesn't love an ode to old vampires with the name! The solo section over the pulsing bass drum hits into a softer bridge is superbly done.

The next track, "Mr. Parole," sounds like if My Chemical Romance and Family Force 5 had a baby. The verses and vocal style are really punky reminiscent of old MCR. The electronic sounds and hi energy vocals of the chorus and ending cover a totally different spectrum. This song is very mature in the way it blends together sonically. This is my favorite so far.

"Hot Chicks and Aliens" follows in the same vein of the previous song and kicks up the music a notch, and tones done the hi-paced energy. This is more of a straight up rock song and anthem, and could definitely hear this on the radio playing alongside anyone out there.

"Eerie Sounds of an East Coast Wreck" starts off with a burp…yes you read that right! This is a fun pirates/sailors anthem that talks about life on the sea. It features gang vocals that would make you feel like you are on the galley of the boat with them. I have never heard anything quite like this and have it be a serious song among the others. To clarify, I mean serious as in, the song is not a joke, it is very well done. It includes cannon sound effects, so what's not to love.

The next song brings the album back off the water on onto land for, "Surface and Back." The tone of the album switches right off the funny loving party song to perhaps the darkest of tunes on this record. The synth is gone in favor of a haunting piano over precise guitar riffs and intense vocal harmonies.

"Better Late Than Never," is a soft piano ballad that showcases the vocal flare of the lead single. Midway through the song it starts to build. Other instruments lightly playing are introduced and a number of harmonies begin to repeat and assemble in the foreground. This song is extremely well done and gives the listener a sense of intimacy as they enter into the lyrics themselves.


"No One Was There" picks right back up with crunchier guitars and has a Taking Back Sunday circa Louder Now feel to it. It has a good vibe, and motion to it, and then it hits you unexpectedly with some dub-step! This is the first time such an electronic breakdown was featured on the album. The fadeaway vocals at the end of the song back into the music are awesome!

Following the previous track is, "Uniform," which now brings me a Used comparison, but completely original. The music is very precise and again, almost singlehandedly paints the picture on its own. Included is a roaring, climbing guitar solo. The almost chanted like harmonization of the final chorus is a nice touch as well.

Closing out the album is "Collide-a-Scope," and say hello a more involved sound then the rest of of the album. This song is definitely mainstream, and has an aggressive alternative chorus over their electric infused rock. Also most noticeable in this song is the drums. The drummer sounds like he went all in and had serious fun on this one. It is a perfect finish to an album, "I don't want to say goodbye."

Overall this is a fantastic first entry to music for Signal For Pilot. Man Eating Shark nailed it on every front and contained no filler songs. Their unique blend of rock/electronic/punky-grunge is among the most diverse sounds I have ever heard. The band can be linked to so many others. First thoughts are Family Force 5, Chronic Future (without rap), Panic! At the Disco, and too many more yet they take these styles and make them completely original. The best part is most of the album is themed to water, and regardless of the song subject material, they all fit well together.

Look out for Signal For Pilot and their Man Eating Shark!


signalforpilot@gmail.com

Friday, September 20, 2013

Dustin Kensrue Interview on His New Project 'The Water & Blood'


This interview was originally done for The Christian Post. You can view the original piece here. 
A little context to the story...This was a dream interview for me. Thrice is my favorite band of all time, and Dustin's songwriting ability amazes me, so this was truly an honor for me. There is a second part to the interview that I will post later.

Dustin Kensrue traded in his heavy rock chords and vocals as the frontman of Thrice for stripped down emotive and powerful church music as the Worship Pastor of Mars Hill Church in Bellevue, Washington, and is releasing his first album, The Water & Blood, on October 1.

Although Kensrue has released solo albums before, this is his first record comprised strictly of corporate worship songs to be sang specifically in churches. 

"At Mars Hill music we are really trying to write music for the local churches to sing," Kensrue told the Christian Post. "We want to proclaim and celebrate the gospel in the sense of what God has done through Jesus Christ. We are here because of what Jesus has done. He's called the church into being. There's freedom in that and there's a lot to be celebrated.  

Kensrue shared that writing worship music was a bit of a process for him as he always shied away from it in favor of what he was doing with his band or solo projects.

"I originally did not want to have anything to do with it for a long time. I grew up leading worship in my junior high group. I started playing guitar; I could barely play but none of the other leaders and kids could play, so I ended up leading. I was kind of fed up with it and frustrated. I had a real chip on my shoulder about it. It wasn't a healthy response," he revealed.

As a member of Thrice, Kensrue and his bandmates were known for challenging themselves musically as they put out eight albums of varying sound and themes. This time around however, the call to worship was a challenge issued by God Himself.

"I guess God challenged me on that. I told my wife I would never be a worship leader. He [God] trained me up to see it differently, and stop complaining from the sidelines. He brought me to where I'm at now."

Kensrue however, is grateful for all the work he was able to do with Thrice. Being in the band allowed him to portray a message through his music to "impact the broader secular world." The band was never labeled Christian, but it is quite evident in Kensrue's lyrics as to where his focus and devotion belonged to.

He now would have to use his gift for fluid and masterful songwriting and storytelling to capture the might of God, while also creating a song that many voices can sing out together. 

"I really think the only difference should be that the music has a different purpose and function. We should be making good art, we should be doing our jobs well wherever we are. The way that we do those jobs should point to the excellency of Jesus," he said. "I really want these songs to be centered around the cross, and [I'm] writing with a purpose that this song needs to work well in corporate worship."

Kensrue also says there is a stigma that comes with Christian music. Sometimes people will not listen to it simply because of the label. It is because of this that he is appreciative of his time and ability to reach people while spending 14 years touring and recording with Thrice.

"I ended up having an impact in the broader secular world" he said regarding his decision to communicate a message through a non Christian forum. It showed in the music as well.

Thrice songs such as "Like Moths to Flame," chronicled the feelings of shame after Peter denied Jesus, and "Come All You Weary" touches on resting all heartache and burdens on the Savior – and those are just a few.

The importance of the power of music is not lost on Kensrue as he understands the opportunity to now minister to people who may have not ever listened to worship, but will now because of his history with Thrice. 

"Music is something that has a lot of repetition...you hear a sermon once or twice, read your favorite book two or three times, favorite movie... How often do you listen to your favorite song? Maybe hundreds – a thousand times in a life time. If that song is true and helpful and good, it has a profound impact on the way you see things. Especially worship songs. This is the reason why we need to have great corporate worship songs." 

He continues, "I don't want them to just be tools for other worship leaders. I want them to be amazing worship art so that people will want to listen to them, therefore have spiritual transformation."

Perhaps Kensrue's newest song, and the big single off of The Water & Blood, "It's Not Enough," is the perfect example of music as art. The song leaves the standard convention of what a worship song is and allows Kensrue to explore a bit more of his roots while opening himself up to the Lord. 

"That song was originally going to be a Thrice song that I never got around to finishing. The song should work on either record because it is true and engaging on a different level," he said.

The video is powerful as well. It is a continuous shot of his face as he walks for what seems like forever with a background of events happening all around the world behind him. It is simple and to the point, but gets the message across crystal clear.  

"There's something kind of engaging and uncomfortable and inviting by this lopped off shot. I thought it was compelling and would work really well with this song in particular. I think the main point was to capture the face to face to excentsiate the lyrics which adds another layer to challenge the listener of what's going to be talked about," said Kensrue.


He came up with the idea of the video while at the gym. He said he was walking in step with the song while on the treadmill, and the idea hit him. 

Kensrue is well known for the emotion and passion he puts behind singing some of his most emotional songs. "It's Not Enough," is no different, and when asked about it he quoted Dr. Bryan Chapell, "If the manner does not match the message, the manner is what we will believe."

In other words, he means, being engaged with the song makes the story powerful because it puts yourself in the characters place. "[It's like] Entering into the story and inviting others into that."

In the foreseeable future, Kensrue plans on continuing to lead worship every Sunday at Mars Hill Church. He also has a couple of musical endeavors in the works. 

"As crazy as it sounds, I plan on putting another worship album out within a year. I've got two other records I want to make that are outside the church. One being a follow up to Please Come Home and one being something totally different. I don't know when I'll ever get to those. I have songs for it, I just need to finish them," he said.

He also offered a glimmer of hope for Thrice fans that are missing their favorite band since going on hiatus earlier this year.

"There's definitely a future for Thrice I just have no idea what it looks like or when it looks like. I think it'll definitely be a couple of years before it even begins to make sense. I look forward to the day in whatever form we start doing stuff together again. There's just so many factors, I can't say with any certainty or what that looks like. I love playing with those guys, and it would be a blast to do it again and it will be extra fun having had time away from it because 14 years straight is pretty intense."

The Water & Blood releases on October 1 off of Mars Hill Music/BEC Recordings.