Hip-Hop???

What can I say, I love Hip-Hop. Back in my teens (cause I'm so old now) I was what you would call a "punk" or "rocker". In my circle of friends rap was forbidden and frowned upon as it was not even considered music. Well the thing I never told my friends was that I secretly liked it and I could do a bit of it myself. Fast forward a few years to when I'm entering college, and my musical style along with clothing style, began to change. I wanted to experience more, and absorb all genres of music like a sponge. In my quest for doing so, I discovered my outward true love for hip-hop.

I actually started writing raps when I was a little kid, but gave that up once I began playing the drums and being in bands when I was thirteen. The first couple songs I wrote where kind of like raps because I knew nothing of song writing except "you have to rhyme" which of course is not true. I gave it up once I learned how to write songs within the punk rock/grunge style of music I was playing.

It wasn't until a friend of mine bought me the "Fort Minor" CD " the Rising Tied" that I really had a passion again. I grew up on early 90's rap, and that was sure outdated. I sounded like a member of the Beastie Boys every time I tried. But it was Fort Minor's Mike Shinoda (also rapper of Linkin Park) that really taught me about story telling and meaningful rap. I have that CD memorized and it's what began "Justin as the artist" I am today.

From Fort Minor I branched out to underground mid-west legends like the white boys holding it down on "Rhymesayers"- Mac Lethal, Brother Ali, and Atmosphere to name a few. These guys are among the best lyricists of all time.

Now what do I mean by "lyricist"? What's the difference between a "rapper" and a "lyricist"?

A rapper, really is anyone who can and to quote Pat Wakie, "Someone rapping rhythmically to a beat". You can be absolute garbage, but you throw some words over a beat and you're a "rapper" in the sense of it. Now-a-days there is so much trash on MTV and Hot97 and the like, that people are almost brainwashed into thinking what real hip-hop is. Rap is more than "Money, cars, clothes, and the hoes". It's more that just throwing money up, and popping bottles. This whole movement was started in the late 90's after Tupac and Biggie died. P.Diddy can really be called the Godfather of this kind of rap because he capitalized on what Biggie was about. Diddy was a producer not rapper. All he knew about was being rich, and that's what he did.

I know I'm going to catch beef for this, but hip-hop was ruined by Lil Wayne. He himself invented the phrase "bling-bling". He was eleven when he started rapping. What does an eleven year old dream about: fame, fortune, girls, money, etc. Now he's like twenty-five and still rapping about the same thing. Step your game up! Maybe when Wayne gets out of jail he can rap about, how drugs, money, and fame have ruined his life. But then again, he loves it, and most of you look up to him anyway...

I know it sounds like I'm being a hater but I have strong opinions on music. I'm not by any means an amazing rapper, but when someone can become a millionaire with a chorus that exclaims "Superman that hoe" I rest my case. I give "Soulja Boy" credit for capitalizing on the Internet and the masses for making him famous, go get it kid.

So anyway...

What's a lyricist?

A lyricist is a rapper with a conscience. A lyricist looks at the world around him, and thinks "what can I say about it, how can I change it, and what will it look like?" A philosopher of words and a thinker in rhythm, a lyricist is an atom bomb waiting to explode. These are the kind of rappers I aspired to learn from when I picked up the pen. These guys showed me how to turn poetry into a story, and a story in a poem. No matter the beat, fast a slow, none or low, a masters of the craft can get it done.

Common (Sense) is a Chicago born rapper, who is known for his commentaries on life while rapping. Him along with fellow "Blackstar" associates Talib Kweli and Mos Def, can take any topic and make it relavent and preach a message. To me these three are geniuses and never get the credit they deserve.

Mainstream artists are far and few when it comes to rapping like a "thinker", but a few manage to get away with it. Jay-Z and Eminem are probably the two greatest rappers who ever lived. I know people are yelling at me and saying they are ashamed of me, but hear me out as I break it down.

Jay-Z, aside from some of the corny stuff he does now, has a reputation that far exceeds anyone else. What other mainstream artist is as big and relevant at the age of forty as him. While "Hova" doesn't boast the sex appeal and fantasy rap of a Wayne, or the aggressive chops of a Nas, Jay does something quite different. He attacks every verse with a smooth flow, and a calm voice. Jay's problem is he's too good. When you listen to his raps, they seem to be lacking those "Ooooooo" moments that a lot of other great rappers have. In actuality they're there, and you missed it. His intelligence allows him to hide secret meanings and rhymes in every line. He builds on metaphors and clever word play to convey what he's meaning even if you don't notice. See for yourself. Go pick out a classic jigga song and pay attention.

Eminem, undoubtedly the most confused and tortured mind of them all, Em's insanity makes him a genius. Never in my life have I heard someone string along groups of words in patterns that actually have meaning like he does. Not counting his weird or offensive songs, Eminem can melt a dictionary with the way he raps on a song. He changes from serious to funny, from loving to hateful, from fast to slow, and normal voice to a thrown voice. To me, he is the greatest no doubt, and now that he's back and off the drugs and trying to get his life together, he can accomplish more.

The next generation of rappers are kind of scary. They are all carbon clones of whoever they role with. The "Cash Money Millionaires" of Lil Wayne, Drake, Nikki Minaj, and company, all have the same style. I remember getting Drake's first mixtape when he was seventeen and still on Degrassi. It was absolutely amazing. He had his own voice, he had the craft of storytelling and speaking the truth on every verse. Then something happened to him. He was discovered by Lil Wayne and became part of his crew (a great career choice). It appears Wayne has the Midas touch and everything he does turn to gold. Now what happened? Drake blew up, and is taking Wayne's place while he's in jail. But it appears while Drake is still good, he sold out a bit. He no longer has that raw and fresh voice. He no longer takes deep trips down memory lane and reflects on what life was like for him. He is slowly becoming like his peers around him. First the flow changed, then the voice, then the topics, and now the lifestyle. Come on Drake, come back!

Check out this song off of Drake's first Mixtape called "S.T.R.E.S.S." and see how he sounded.



Now listen to him "Over"


Even on the comments for "STRESS" people are saying what I'm saying.

Back in the 80's and early 90's it was all about being an individual. Back then an Emcee was about being a specialist in your kind of style. The pioneers like Grandmaster Flash, the Beastie Boys, Run DMC, knew how to captivate an audience by being unique. While Hip-Hop saw its groundbreaking revolution in the 90's with De La Soul, the Roots, WU-Tang, Nas, Common, Big L and the list goes on, it is now becoming very amateurish and the "in" thing to do. I wish rap would go back to the days of being great and having talent, but for now we'll just keep seeing the same things over and over. A good song to explain the evolution of Hip-Hop is Common's "I Used to Love H.E.R." And while dated to 94, the same thing was happening back then.




Here's my personal top ten just for fun. What are yours?
1. Eminem
2. Big L
3. Jay-Z
4. NAS
5. Lupe Fiasco
6. Mos Def
7. Atmosphere
8. Brother Ali
9. Mac Lethal
10. Kid Cudi

Check out my raps at Myspace.com/mcsikboi
Check out my band at Myspace.com/processoffusion

For info on any of these artists check them out on youtube.

Preview for Hip-Hop Show

Check the "Forever Remix" by CiG, Redeemed, SiK Boi, and Frisch, and get a taste of what you'll be seeing at June 22nd's Rap show at the Cup.
Myspace.com/mcsikboi

What's Coming...

Coming soon,
1. An article for the Advance about 3 local bands in 3 different Battle of the Bands.
2. Spread the Rumor Review
3. Annie Eve Preview
4. POF news
5. Hip-Hop show
6. Rapper CiG

1st Article for the Advance -WSIA Radio Station

1st reporting/article I did for the Advance. Mark Stein was the writer and I helped along with the interview, notes, and I got him the interview. Check it out!

http://www.silive.com/westshore/index.ssf/2010/06/hear_something_new_at_889_fm_c.html

The Cup That Everyone Will Drink From

(Cool play on words, but I didn't come up with it. Credit goes out to Gerard)

Hey, Let's play a show! Honestly what else is a band supposed to do on a Saturday night?

May 22nd at the Cup, what a surprise. (Is it a reoccurring rant that the disgruntled body of bands only plays at the Cup?) Nevertheless to quote Dylan Klein of my band, "It's just another day at the office". Well said Dylan. We are in a band and our job is to play. Just like the daily trek to work, the Cup has become the office. Our co-workers are the other bands playing, and the fans, well...they are the higherups, simply for the fact that we have to impress them, and hopefully move up in their favor. The more people you bring to the Cup is kind of like more publicity to the company. In turn, the more publicity, the more money there is to be made. That is also not to say that we are all in it for the money, because if that were the case we'd all have been fired.

So with that aside we perform really hard at work until one day we are recognized and moved to a better office a.k.a. Madison Square Garden...too much. I'll settle for one of the many non dancing ballrooms scatered about the tri-state area.

After work we all go out for happy hour (Colonade, Wendy's White Castle, A&W, etc.). We spend the money we don't have on over priced food despite the bounty of food possibly located in ones homes. Why do we do this? The easy answer is, I don't know. But if you dig a little further, it is because we are hungry right now, and there are friends near. (Sorry I have nothing inspirational to insert here). Sadly, this is where my analogy ends, and I'll actually talk about something relavent.

Local band promoter and contributor for Broken Records Magazine, Gerard Ucelli wanted to put together a special show.

"How many times have you guys been to the Cup to see a friends band, and you only see 40 people the max. Well let me say F*** That. This show will create a change in this music scene. Diversity means everything, and on top of that so does kicking a**. Your dealing with sub genres ranging from acoustic, punk, ska punk, metal, post hardcore, fusion/experimental, and alternative. I'm not making a penny off this show purposely. This is going all to the bands after the Cups' cut."

- Gerard Ucelli

(Thesibandguy is a family blog, naughty words and things you don't say around white grandma's will be not be tolerated).

Gerard is making a bold statement in the music scene, for he too has a passion just like I do. If all of us bands would just learn how to fight along side of each other, so to speak, we'd be a better scene. There is so much band drama, and musical prejudices that go on even in this small scale of an island. I have seen many good bands fall apart because of stupid things, or just overall lack of working together. I have also been to shows where every person has walked out on another band just because they don't "listen" to that genre without even giving them a chance to play. Give them a chance to suck before you jump to conclusions. Who knows, maybe you'll love them, and you just made a musical connection. And it is not just the fans, bands are guilty too. I'm guilty of it. My band has had it done to us before, and it sucks. Gerard I applaud you.

Seven bands were choosen to shake things up that night. Here they are:

IV Not Naken 6:45 http://www.myspace.com/ivnottaken
the Excitement 7:30 http://www.myspace.com/theexcitementband
Fridays Nightmare 8:15
Figurehead 9:00 http://www.myspace.com/burninside2009
Process of Fusion 9:45 http://www.myspace.com/processoffusion
Kick 10:30 http://www.myspace.com/kickrocknroll
Through the Year 11:15 http://www.myspace.com/throughtheyearsiny

Be sure to check out the links and give each of these bands a listen. I'm not going to give my commentary on the show because I was not able to get there at the beginning. I arrived shortly before my band had to go on. From what I saw there was a pretty good crowd, and a good amount of new faces which is always exciting.

Ok here's where I bring it home. We all as musicians are different and unique. We have our selective tastes and styles and for the most part live by them. But what do you say every once in a while we sit down at the same table and share in something together. At the Last Supper Jesus and the Disciples sat down for a last meal together, and all drank wine from the same chalice. It was to signify a bond and a friendship. May 22nd, we're at the table and the cups' being passed around. This is the cup that everyone will drink from, and I'm thirsty...(Most definetly the corniest thing I ever wrote, but it stays).

I leave you with some pictures from the night...

(All Photos by Alexa DiMaio)

Special shoutout to Dave Harris, who played his last show as drummer for Through the Year. Another shoutout to Terri Caputo who is moving out from behind the drums for Process of Fusion.

Sorry For the Little Break, I'm Going to be Updating on Some Going on's Really Soon

Friday Night BBQ's and Nasty Coke Cans... (Friends With Faces)

So about that title...I can't tell you yet, but I promise it will mean something sometime to someone. I didn't mention anyone by name in this post, so fill in the blank. Okay, let's have it.

Friends With Faces

It appears summer has come rather early this year. It's the least the weather can do for us after the crap March threw our way. Officially speaking, we have like a week or so of the spring we never really had. In any note, it appears that this will be a great summer.

As discussed in my previous blog post (if you didn't read it, you should), I finally realized the importance of friendship between fellow musicians. A lot of times we [musicians] play these shows and stick to ourselves, or the group of people there to see us. We say hello and goodbye to familiar faces, and sometimes we go out to eat at the end of the night. We always say, "Yeah, we'll get together and hang out", but those are just empty words. Unfortunately, it never happens. Well, for me, it finally happened, and a lot more came out of it than anticipated.

This last Friday, May 7th, I got together with a bunch of talented friends for my first BBQ of the summer. The night started off with burgers and hot dogs just like any other BBQ. From there, we all sat around wondering what to do. Then out came the acoustic guitars, best move of the night.

We started playing and singing along to some songs including our own (corny I know), but overall we were having a good time. Then the guitarists started experimenting with chords and riffs. I was half joking, half serious, when I said, "Hey let's all combine together and write a song." Much to my delight the others liked the idea. We pulled out three pens, and three pieces of paper. We picked a topic, and began to write independently from each other.

Slowly the parts fell into place. One of the girls started singing, while I laid a rap over it. The other singer's part sounded perfectly like a chorus. We came together to piece the lyrics and change some things. More guitar parts were added, and after we realized it was past 12am, we brought this jam session inside. While inside we continued to work on the song, except now we had a deadline. One of the girls had to be picked up to go home, and we only had about twenty minutes to finish. Don't worry we did, who knows what would have happened if we didn't...

Now it was time to release it to the world. So in the middle of the street, at 1:45am, to the girls mother, we decided to perform the song for the first time. It went amazing, and no one called the cops! I have to admit, the song came out great, and the response we got from the others hanging out and our audience of one, agreed.

It's moments like these that will never be forgotten. I have found the best songs I've ever been apart of have come spontaneously in strange situations. I guess it can be contributed as the "spark of an idea notion followed by chain reaction" (I think I made this up, but it sounds right). So I guess I'll explain my theory because it's quite simple. One person has a good idea, someone else agrees, and it goes down the line. As more people get involved, they begin to add their input. This takes the initial idea and transforms it into a melting pot of a vision. I think that's what happened Friday. We kept pushing until we reached the finish line of our idea. It really was amazing.

I find this especially cool because besides the people in my band, we all have never worked together on anything. We have all heard each others music, and we all have our different styles that "we thought" would never mesh. We were wrong. The song's drastically different from our regular sounds, and yet most definitely a piece of all of us in some way. There really is power in music. Music can transcend, translate, and touch anybody no matter language barrier or preference. When the right pieces are in place, and the right things are said, anything can occur.

These last two weeks for me have been eye openers not only as a musician, but also as a person. I have learned what real driven passion is. Last week, I learned the art of performing, and building reputations and friendships and it's importance for success. This week I learned what these friendships could do when you work along side of them. Sometimes you have to leave your comfort zone, and try something new. I've never rapped to an acoustic guitar before, and I'm sure most of them never sat down in a backyard at midnight and created a song in two hours based off a joked remark.

This yet again proves my point that music can change the world around us. I feel strongly about this. I also feel very strongly about artists collaborating to make something of themselves. The philosophy of "the more the better" applies directly to this. So to every musician out there reading this, get out of your regular regime. Don't take the cautious way, experiment. Don't be a carbon copy of everyone out there. Make the music you want to, and not what everyone else wants to hear. I assure you, you will never be disappointed in yourself. Take those people from the crowd and let them be more than just a "face". Let those people become your "Friends With Faces", and move on from there.

I Can Feel it, Calling in the Air Tonight...

(This post is a little different from my normal ones. It's kind of some stuff that has been on my mind. It is not edited perfectly or entirely professional, but it comes from the heart, so enjoy)

There's something to be said when you can play a show in front of a bunch of people you care dearly about, and watch their faces light up as you perform for them. Now you would think this is a standard reaction being you care for these people, so they care for you. This is not what I mean...

Playing in front of a bunch of people you don't know is undoubtedly scary. But playing in front of a bunch of people you know, is even scarier. The reasons behind this are simple:

1. You will always see these people, you know them personally.

2. They know all of your songs, or are at least are interested in seeing you.

3. When you mess up they know, when you create something new that sucks, they'll tell you.

4. You become stuck trying to impress people that may already be impressed.

This puts needless pressure on yourself. Instead of preaching to the converted, artists need to learn to perform as if everytime was their last chance to leave an impact. If I don't walk off the stage exhausted then I know I had a bad show. That is how I feel personally, you may not agree. The passion has to be there. Even on off nights, which do occur, if you give it your all, you'll get props for doing your thing.

On the flipside you know when you have a good show. There is a certain vibe to the crowd that lets you know it. You can feel it from their energy which in turn supplies you with the extra push to persevere. It's that certain applause after a good song, or that screamed out "hell yea" that lets you say to yourself, "Self, we did great tonight." Those feelings are obviously very hard to write down, but if you are reading this and you know the feeling, then subconsciously give me a thumbs up...(thanks).

One night that stuck out for me particulary, was a show Process of Fusion (my band), had a chance to play on April 30th. To be quite honest I don't know all the names of everyone who played, all I know is that the electricity in the room that night was buzzing. I want to focus on three acts that struck a chord with me in particular: Spread the Rumor, Nick DePalo, and my band (POF). (Sorry to anyone I don't mention. Everyone did their thing that night, but these gave me the wow factor).

It is not my business to go into detail, so here is the gist of it. Recently Spread the Rumor has had a few minor setbacks. They had to cancel some shows, and change the lineup around a bit, but they are coming back! I would like to consider STR to be one of the three bands that my band has grown up with. The others of course are It's Not Over and EveryNight Drive. It seems we are all destined to play the Cup together every weekend, and one day take over the world with our music etc. etc... Anyway, STR that night was different to me. Although they were short a drummer, they never seemed better. They were spot on, and I really admired their performance. I always knew what they brought to the table, and I always had "mad" love for them. But on April 30th, this time it was different. Hilary, Katie, Sabrina, and Valerie, you guys are fearless and amazing at what you do. Never stop ever! This is an order from your big loveable friend! I stood there and sang along like a champ to everything you threw our way. Thank you for putting on a lasting show.

Next, Nick DePalo, DUDE! You were the man that night. To quote Manny of END, or George of INO, or both at once "That was dope". Nick performed an acoustic set that was mostly interrupted by the chatter of his friends in which he made sure to return the dialogue. One of the things I liked most about his performance, was the intimacy of it. When he took a seat on stage, everyone gathered around him campfire style and just sat there all eyes on him. When Nick started playing everyone sang along, clapped, laughed, and had a great time. Nick did what we as muscians sometimes become afraid of doing, impressing your friends and not being so serious. He went up there and had a fun time. I remember running to Pat (bass player and singer of my band) and saying, "Dude, do you see how cool that is. Can we do an acoustic show tonight too!" Of course Pat and the rest of the band shot me down, but I'm glad it went that way anyway. Nick had the spotlight now. Nick if I could give you any advice as a friend, you need to do acoustic sessions and shows. It is a calling that not many can pursue.

Lastly, I want to talk about my bands performance, which wasn't perfect by the way. We had a couple screw ups along the way, but we did our thing. I was kind of nervous because we were playing two new songs, and one relatively new song. Only two songs from our album were being played. The second song we weren't sure of until the end, when the crowd picked it for us (very cool by the way). We were in a room filled with all of our closest band buddies, what would they think of the new songs? Would I remember my words? Could I nail my screaming parts, and not embarrass myself again? Would I mess up the keyboard part or knock it over like last time? Would Brain finally take over the world? I wasn't sure of any of these things, especially the last one.

We opened with the first new song "Moment of Clarity". I was tested in the beginning with screaming, I did it! I fumbled words here and there, but it was mostly good. The crowd gave a great response. Next was our "classic" "Mutiny". During this song is when I noticed this night was going to be one of those unforgettable nights. Because the crowd was a little smaller, maybe like thirty to forty people, it had the intimate setting. Even better, was those thirty to forty were our friends and knew the words. They sang along with us on every chorus, rap verse, bridge, you name it. I saw the video tonight, and watched my friend Manny hoist up my other friend George onto his shoulders just so he could do the rap part with me. It was awesome! Friends, family, bandmates, I love you guys, and thank you for giving me a rockstar moment. The next song was "Connections" followed by the new one "Lights in the Sky."This was the one I was nervous about. We had just finished it days before, and I was playing the keyboard. The beginning was rough as we made a few mistakes, there were some pitch problems throughout, and the ending was a bit sloppy. With all those things happening, the song still felt so right. The response after the song was positive, our friends didn't fail us. Of course we are going to work harder to perfect it, but thanks to everyone who saw it and applauded.

After all this, I guess what I'm trying to get at is, being in a band does not make you better than anyone. Whether you are the worst musician in the house, or the greatest on the planet, there is no hierarchy. We are all striving for the same goals show after show. We are all there to do our best, and put on a performance all the while doing something we love. It takes a lot of guts to get up on stage and pour your soul out in front of a group of people. I remember the huge amount of stage fright I had growing up, and to be on stage now is something I never thought would happen. Never stop reaching for your goals. Always strive to be the best whether you're the lead singer, the roadie, or the guy/girl who takes the tickets at the door. Do what you love, and never let anyone tell you that you can't. Music is: a gift, a curse, an art, a dream, a vision, a goal, a passion, and a life. You only get one of those things, so don't blow the opportunity.

Check out Nick DePalo's acoustic project "Meet Me In Montauk" at

http://www.myspace.com/mmimmusic

Check out "Spread the Rumor" at

http://www.myspace.com/spreadtherumormusic

Check out "Process of Fusion" at

http://www.myspace.com/processoffusion

Or hit us all up on Facebook!!!

POF's "Mutiny"

It’s Not Over: Rocking out Earth Day

(Photo By Jenna Lynn)

(Guest blog by Terri Caputo, the interview following by myself)

It’s Not Over: Rocking out Earth Day

If you were near building 1C on Earth Day, chances are you heard live music from local Staten Island band, It’s Not Over. In October, the pop-punk quartet won the third annual Battle of the Bands at CSI, and was promised an hour-long set as their reward.

Drummer Matt Cabello and vocalist/guitarist Mike Giordano started the band in October of 2006. Later in the game, they added guitarist Josh Cronopulos and bassist George Thomas to their lineup. Since then they have played many shows in Staten Island and Manhattan. The band “quickly gained a reputation among audiences for their energetic performances and melodically catchy song writing,” according to their biography on Facebook. Their songs have been played on UCLA College Radio and CSI’s own 88.9 WSIA, remaining in the Alternative Top 30 for numerous weeks in a row. To this day, the four guys are continuing to win the hearts of many fans, and the show on April 22^nd was no exception.

The pop punk band played songs like “Love Affair,” “Taking Me Over,” and “Better Off,” which are up-tempo and catchy songs that pumped up the audience. Lead vocalist Mike Giordano busted out an acoustic guitar for “Never See Me,” which displayed a softer side to the group. Midway through the set, bass player George Thomas encouraged the crowd to count how long it would take Giordano to down a bottle of water; it only took him thirty seconds, which was rather impressive to watch. The band closed with “Catastrophe,” and received a giant round of applause from the crowd, especially Andrew DiLorenzo from WSIA radio who seemed to know most of the words. Overall, the band put on a solid performance. Be sure not to miss them the next time they perform.

If you want to check out It’s Not Over, you head over to

http://www.facebook.com/itsnotoverband and listen to their self-titled EP.

(Photo by Alexa DiMaio)

Interview With It’s Not Over

By Justin Sarachik

I conducted a Facebook email interview with Mike Giordano and Josh Cronopulos, two of the members of S.I. band, It’s Not Over.

Both members were asked the same questions. The interview goes as followed:

1. How does it feel to finally play the CSI show after the delay?

2. What was it like recording a full length?

3. When you won Battle of the Bands, how did it feel?

4. What's next to come for I.N.O.?

5. Where are you guys in 5 years?

6. What's inspires you to make music?

7. On a scale of 1 to 10, how important is your hair, in the band?

Mike Giordano

1. It felt great, and we are really happy with the opportunity. In a way it is kind of upsetting that it is passed. Hopefully we will get to do this again in the future!

2. It was fun and took up most of our last 6 months. We worked with an amazing producer "Rob Guarigila" who steered us in the right direction and had a major influence on us musically.

3. It felt great. Winning was an amazing experience for us, and we were extremely excited.

4. We will be releasing an album soon depending on where we distribute through, and we are also looking into a music video.

5. Everywhere hopefully!

6. Cottage cheese and songs that make me want to sing and write.

7. 11 ½

Josh Cronopulos

1. It was way better because I would have puked if we played the day we were supposed to, and it was snowing.

2. Recording wasn’t much of a difference to me I guess, it just took a lot longer.

3. I was shocked that we actually won.

4. I have no idea except that we'll be getting a new bassist by the summer since George is leaving.

5. Hopefully we will at least be playing on tour or a place better than the Cup.

6. Just for the fun of it and to do what you want. I think it’s different for everyone that question.

7. Definitely a 2 since I like messy punk hair, but the other guys don’t at all.

Be sure to catch It’s Not Over at http://www.myspace.com/itsnotoverband

Music Saving Music- A Noble Cause

Alan Rogozin, bass player of Staten Island local band, Rise With the Fallen, wants to help make an impact. Gaynor McCown Expeditionary Learning School of S.I. is cutting its music program for the children of the school. This drastic measure is being taken because of the bad economy, and a budget cut here was the best option. But is it really the best option?

I have the good fortune of being blessed with the ability to make music, and see the fruits of my hard work come to pass. I know that music is my passion and my life, as long as also being something fun and very rewarding. Many other musicians and artists not just on the Island, but worldwide can harp on this same feeling. Music has the power to transcend everything from race, religion, belief, and opposing sides. Music has the ability to speak to a generation, or touch the soul of a person longing to hear a few words they can relate to. Music encompasses: the struggle, the passion, life, death, love, hate, and almost everything in between. Many artists can relate to that first song they every wrote, or the first beat they ever banged out on the drums. What Alan is hoping to create, is a chance for a school of children to experience this for the first time too. Tomorrows musicians can be in that school, and not have a chance to express themselves creatively because their music program is gone.

So what are we to do? What we have to do is get together and take up the cause. Come on out and support this show. Come on out and support a bunch of great local bands. All the proceeds of the show will go to helping raise funds for Gaynor McCown Expeditionary Learning School music program.

Date: June 5th 2010

Time: 1:30pm- 12am

Location: 388 Vanduzer Street, S.I. NY

Vendor: the Cup

Charge: 10 dollars at the door, good for all day

HERE IS ALAN'S MISSION STATEMENT TO THE BANDS
"I intend for this show to give local bands an opportunity to work with out-of-town bands to make connections to help them outside of Staten Island. Likewise out-of-town bands can play to a moderately sized audience within Staten Island to hopefully expand their fanbases and to make connections with some of the local bands for future opportunities on Staten Island. This show is also obviously a benefit show to help out some kids that are unfortunate enough to be heavy victims of budget cuts which forced their school to be unable to set up a music program. It is a new school coming into existence during one of the worst economic conditions in nearly a century. Our goal is to help raise enough money to hopefully if not completely be able to fund the purchasing of music equipment for this school to allow them to have a music program, or to at least make a decent dent. I ran a benefit show last year raising $1,050 for the GRACE Foundation (a charity helping out children suffering from autism) and I’d like this show to try and at least triple the amount of money we made last time to benefit this school. Unlike the GRACE Foundation whom gets support from many people, this school does not, and the current students of this school will be forced to not have a music program if we can’t help them make at least a substantial dent in the amount of money they need to start their program. Hopefully this gives all of you reason enough to promote this show heavily, as although it may not be benefiting any band financially (with the exception of the merch you sell of course, which you can sell any time throughout the day, so a definite incentive to get there early), it’ll be doing a truly amazing thing for all the students of Gaynor McCown Expeditionary Learning School. I hope for all of you, that, as well as making friends and connections with many bands you’ve never worked with before, will be enough."

These are the set times of the bands involved :
1:45-2:15 - Eden's Fault
2:30-3:00 - Nevertheless
3:15-3:45 - Not From Concentrate
4:00-4:30 - Spread The Rumor
4:45-5:15 - Step Aside
5:30-6:00 - It's Not Over
6:15-6:45 - The Still Life
7:00-7:30 - Rise With The Fallen
7:45-8:15 - EveryNightDrive
8:30-9:00 - Up For Nothing
9:15-9:45 - Richmond Knights
10:00-10:30 - Avon Junkies
10:45-11:15 - Reality Addiction
11:30-12:00 - BellaDonna

There will be a few touring bands playing this show, who have received moderate success in their careers. Although they are not all from Staten Island, they are close enough, and helping out by playing the show.

Reality Addiction (http://www.myspace.com/realityaddiction) - They were rated #2 in the best unsigned alternative rock bands of 2009 by Alternative Addiction (http://www.alternativeaddiction.com/bestof/bestof2009/results/top_20_ubands.asp)

They are the most successful of the bands featured on this show, playing countless radio stations as well as big shows like Bamboozle. You can look up their music on Myspace, iTunes, and Amazon.

Avon Junkies (http://www.myspace.com/avonjunkies) - They've been around for a decade (the longest standing band on the bill), and they were voted the best original band on Staten Island as well as having other assorted credentials.

BellaDonna (http://www.myspace.com/belladonnanyc) - A moderately established touring act from Manhattan that won a competition with their song "Nikki Without You".

Up For Nothing (http://www.myspace.com/upfornothing1) - A signed touring act from Brooklyn that has been active for about 6 years.

Step Aside (http://www.myspace.com/stepasiderocks) - An unsigned touring act from Brooklyn that has been active for about 6 years.

The Still Life (http://www.myspace.com/stillliferocks) - An alt. rock band from Long Island.

Eden's Fault (http://www.myspace.com/edensfaultnj) - A new band from NJ that took all their members from other bands that had been more established, but have now ceased to exist.

For free samples of the music click here- http://www.mediafire.com/musicsavesmusic

In terms of more info on the school, you can get it from http://www.gaynormccownels.org and there are currently no details on the music program as it doesn't exist yet.

Here is the Facebook invite, now go!

http://www.facebook.com/event.php?eid=107230965985750&ref=nf